Communism in Hollywood details the full scope of the Hollywood Blacklist and its aftermath. Using data now available, Casty places the Blacklist in the context of the Hollywood Party's relationship to the Communist Party U.S.A. and the significant relationship of both to the human violations occurring in the Soviet Union.
This engrossing tale of intrigue, passion, betrayal, and violence uncovers the true face of communism in Southern California, and names writers and actresses who were seduced by the party's philosophy.
The book explores the covert ways in which Hollywood Communists and Soviet sympathizers attempted to tailor movie scripts to suit the Soviet agenda and discusses Communist front groups such as the Hollywood Anti-Nazi League in great detail.
Although no Hollywood Communist has ever been linked to espionage or sabotage, and charges of subversive indoctrination have no basis in documented fact, this book powerfully shows how devastating a mere suspicion or insinuation of guilt ...
This book should be of interest to anyone interested in the life and thought of Ayn Rand, as well as to anyone interested in the history of Hollywood communism and of American film.
In the fall of 1997 some of the biggest names in show business filled the Motion Picture Academy theater in Beverly Hills forHollywood Remembers the Blacklist, a lavish production worthy...
All were blacklisted and fired. Hollywood's Blacklists is a history of the political and cultural factors relevant to understanding the why and the how of the various investigations of the alleged Communist infiltration of Hollywood.
“Film Criticism, the Cold War, and the Blacklist.” Cineaste 40, no. 4 (Fall 2015): 75–77. Review of the development and influence of film criticism during the Cold War, by Jeff Smith. “The Screen Is Red: Hollywood, Communism, ...
This work concentrates on tracing the evolution of the so-called "red menace" phenomenon as a means of demonstrating the correlation between growing American paranoia and the success of the anticommunist campaign (1935-1955).
The Los Angeles Party hierarchy understandably opposed Rogers, but the grim, intolerant manner in which it mobilized its cadres for Patterson decimated the organization. Sparks made it clear that he would bring "charges" against HICCASP ...
Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The ...