In Listening to Stanley Kubrick, Christine Gengaro provides an in-depth exploration of the music that was composed for Stanley Kubrick s films and places the preexistent music he utilized into historical context. This book offers a thoroughly researched examination into the musical elements of one of cinema s most brilliant artists."
Appropriate for a cinema studies or music classroom, this volume will also appeal to any fan of Kubrick's films."--Publisher's website.
But who was he really? Emilio D'Alessandro lets us see.
... for the world to have meaning; and second, that the world does not make sense. As Camus puts it: “What is absurd is the confrontation of this irrational and the wild longing for clarity whose call echoes in the human heart.
A collection of articles on the American director's ten most crucial films and interviews with him, including those in Playboy and Rolling Stone. Among the topics are patterns of filmic...
Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.
As a whole, the book locates Kubrick as a force in music reception history by examining the relationship between his musical choices and popular culture, and reveals the foundational role of music in his filmmaking.
In the mid-1960s both Steve Reich and George Rochberg offered a critique of the modernist practices of both the serialists and experimentalists, largely on grounds of the apprehensibility of the music as sounding presence.1 Focused on ...
Accompanying CD-ROM: Interview with Stanley Kubrick by Jeremy Bernstein, November 27, 1966. Interview is in audio and transcript form.odyssey.
Finally, Part IV discusses Kubrick's ongoing legacy and his impact on contemporary filmmakers. Instructors considering this book for use in a course may request an examination copy here.
In Depth of Field, leading screenwriters and scholars analyze Kubrick's films from a variety of perspectives.