Jacopo Carrucci (1494-1557), named Pontormo after his birthplace, was the main representative of Florentine Mannerism, the seventy-five-year period that links the High Renaissance and early Baroque eras. Following the success of Abrams' Pontormo Drawings, Pontormo Paintings and Frescoes presents in large format an overview of the artist's important works, most of which have been newly photographed for this volume. Influenced by Raphael's late works, Durer's graphics, and Michelangelo's monumental figural style, Pontormo's quest for new forms of expression resulted in some of his most spectacular and brilliantly executed paintings. His highly individual paintings are visions rather than representations of reality; his compositions often include exaggerated forms and unnatural colors. Salvatore S. Nigro, Professor of Italian Literature at the University of Catania, Sicily, has selected over seventy examples of Pontormo's paintings and frescoes. The book includes such masterpieces as the portrait of Cosimo I de Medici, the fresco cycle in the Santissima Annunziata, and the Deposition in Santa Felicita. Each work is presented in a full-page color reproduction, some with details, and is accompanied by a brief commentary. The introduction by Professor Nigro places Pontormo's work within the context of developments in art and literature, and is followed by biographical and bibliographical notes. This volume is particularly important to scholars and connoisseurs of sixteenth-century Italian art; together, the illustrations and text offer a fresh look at this Florentine master and will serve as a record for many years to come.
His extremely personal style was much influenced by Michelangelo, though he also drew from northern art, especially the work of Albrecht Dürer.
Elizabeth Pilliod, Pontormo, Bronzino, Allori: A Genealogy of Florentine Art (New Haven, CT, 2001), 5. 25. Pilliod, Pontormo, Bronzino, Allori, 21–44, 83–97. 26. David Franklin, Painting in Renaissance Florence, 1500–1550 (New Haven, ...
( “ disinteressatissimo , inoltre , del denaro " ) . That Pontormo set up a " commesso " to provide regular deliveries of food staples in old age further supported this image of the frugal artist ( Clapp , 1916 , pp . 72 , 283 ) .
Jacopo Carrucci, Known as Pontormo 1494-1557
An introduction to Pontormo also provides a series of brief biographies of Pontormo's 20 key paintings which support this development.
In the choir of the Basilica of San Lorenzo, a truly sacred temple of the Medici dynasty, Pontormo painted a grandiose cycle of frescos between 1545 and 1556, which were then unfortunately destroyed in the mid-18th century.
This book completely revises and corrects the standard interpretations and understanding of Jacopo da Pontomo's lost masterpiece, the frescoes in the choir of the church of San Lorenzo at Florence, Italy.
Co-published with the Philadelphia Museum of Art This book accompanies an exhibition of the same name held at the Philadelphia Museum of Art upon the completion of conservation of Pontormo's...
Pontormo's Altarpiece in S. Felicita
In exploring the work of the two greatest Florentine exponents of what 20th-century critics christened 'Mannerism', the exhibition, and this accompanying volume, aims to track the chronological development of the movement.