Included here are all of Pound's concert reviews and statements; the biweekly columns written under the pen name William Atheling for The New Age in London; articles from other periodicals; the complete text of the 1924 landmark volume Antheil and the Treatise on Harmony ; extracts from books and letters, and the poet's additional writings on the subject of music. The pieces are organized chronologically, with illuminating commentary, thorough footnotes, and an index. Three appendixes complete this comprehensive volume; an analysis of Pound's theories of absolute rhythm" and "Great Bass;" a glossary of important musical personalities mentioned in the text and the composer George Antheil's 1924 appreciation, "Why a Poet Quit the Muses." "
"Critical study of Ezra Pound's music training, musico-poetical theories, and his musical compositions. The book includes the first printed edition of his full music score to his opera ""Cavalcanti"" and...
At last, a definitive, paperback edition of Ezra Pound's finest work.
This pioneering study did much to rehabilitate Ezra Pound's reputation after a long period of critical hostility and neglect.
Ezra Pound's assimilation of some of the aesthetic values of the music of the 16th and 17th centuries is thought to have formed one of the important bases for his...
Originally published in 1950 under title: The letters of Ezra Pound, 1907-1941.
... 266 Dream Songs 224–5 Bertran de Born 76, 77 Bird, Robert S.: articles about Kasper 201–2 Bishop, Elizabeth 14, ... Ray: Fahrenheit 451210 Braque, Georges 148 Briarcliff Quarterly 90 Bromberg, Walter and Overholser, Winfred: Man ...
The entire book re-emphasizes the fact that one of Pound's major contributions to modern culture was his great ability to discover neglected and unknown genius, distinguishes originals from imitations, and opening new avenues in literature ...
The complete texts of Pound's first six volumes are augmented by the long poem Redondillas of 1911, twenty-five previously uncollected poems, and thirty-eight poems from miscellaneous manuscripts This book contains the complete texts of the ...
First American edition published in 1938 under the title: Culture.
In this study of Pound's radio operas of the 1930s, Margaret Fisher draws on the unpublished correspondence between Pound and his maverick BBC producer, Edward Archibald Fraser Harding, to reveal a little-known aspect of Pound's career.