A reader’s fictional tour of the art and lives of some of the great 20th-century Surrealists An author (a version of Vila-Matas himself) presents a short “history” of a secret society, the Shandies, who are obsessed with the concept of “portable literature.” The society is entirely imagined, but in this rollicking, intellectually playful book, its members include writers and artists like Marcel Duchamp, Aleister Crowley, Witold Gombrowicz, Federico García Lorca, Man Ray, and Georgia O’Keefe. The Shandies meet secretly in apartments, hotels, and cafes all over Europe to discuss what great literature really is: brief, not too serious, penetrating the depths of the mysterious. We witness the Shandies having adventures in stationary submarines, underground caverns, African backwaters, and the cultural capitals of Europe.
This is his spontaneous, quirky response to art, rising up against pessimism.With humor, profundity, and a sharp eye, Enrique Vila-Matas tells the story of a solitary man, who, roaming the streets amid oddities and wonder, takes it upon ...
In this novel, Enrique Vila-Matas traces a journey connecting the worlds of Joyce and Beckett, and all they symbolize.
Tells the story of a hunchback who is a failed writer that has no luck with women.
From disrupting the Western myth that the Gutenberg Press was the original printing project, to the decorative gift books that radicalized women to join the anti-slavery movement, to paperbacks being weaponized during World War II, to a ...
The second part of the story tells what happens between the author and Calle.
This brilliantly ironic novel about literature and writing, in Vila-Matas’s trademark witty and erudite style, is told in the form of a lecture delivered by a novelist clearly a version of the author himself.
A quirky, cosmopolitan novel about life and literature by the prize-winning Spanish writer Enrique Vila-Matas, author of Bartleby & Co. The narrator of Montano’s Malady is a writer named Jose who is so obsessed with literature that he ...
Or is life imitating the stories? As the novel progresses, Mac becomes more adrift from reality, and both he and we become ever more immersed in literature: a literature haunted by death, but alive with the sheer pleasure of writing.
In case the disguise wasn't enough to get the woman to take the bait, I carried a handbag with a long chain over one shoulder and, in my left hand, a large bag of food — without jars or tins, so that it didn't weigh too much, ...
This edition of his “remarkable linguistic investigation” (Booklist) features a new chapter on the influence of biblical translation and an epilogue on the relationship of English speech to writing.