In this riveting, ambitious novel from James A. Michener, the renowned chronicler of epic history turns his extraordinary imagination to a world he knew better than anyone: the world of books. Lukas Yoder, a novelist who has enjoyed a long, successful career, has finished what he believes to be his final work. Then a tragedy strikes in his community, and he becomes obsessed with writing about it. Meanwhile, Yoder’s editor fights to preserve her integrity—and her author—as her firm becomes the target of a corporate takeover; a local critic who teaches literature struggles with his ambitions and with his feelings about Yoder’s success; and a devoted reader holds the key to solving the mystery that haunts Yoder’s hometown. Praise for The Novel “Michener explores some of the deepest issues raised by narrative literature.”—The New York Times “A good, old-fashioned, sink-your-teeth-into-it story . . . The Novel lets us see an unfamiliar side of the author, at the same time portraying the delicate, complex relationship among editors, agents and writers.”—The Philadelphia Inquirer “Michener loves literature, and his information about some of his favorite reading is almost as alluring as his explanation of how to handle a manuscript.”—Associated Press “So absorbing you simply will not want [it] to end.”—Charleston News & Courier
Berry. I grew up in the 1960s, a time when the extent of reading material for kids was, to say the least, limited. R. L. Stine, J. K. Rowling, Suzanne Collins, and so many others had yet to come along. In fact, what we now know as the ...
Britain's most important contemporary authors reflect intelligently and imaginatively on the nature and development of the modern novel.
As immediate as today's headlines, as close as the bookshelves, THE NOVEL is a fascinating look into the glamorous world of the writer. Selected by the Book-of-the-Month Club
"In a counterfactual world resembling the 1930s, the state of Khazaria, an isolated nation of warriors Jews, is under attack by the Germanii.
A revelatory, urgently human story that examines what we consider serious and painful alongside light and whimsy, THE BOOK OF DREAMS is a tender meditation on memory, liminality, and empathy, asking with grace and gravitas what we will ...
The 700-year history of the novel in English defies straightforward telling.
The first section of The Novel-Machine consists of five short chapters that rewrite Autobiography as an undisguised theory of realistic fiction, exploring its paradoxes while placing it in the context of mid-Victorian criticism.
"The author's comparative approach to studying literary form makes a forceful case for a more geographically and formally expansive vision of the novel"--
Translated by John E. Woods. London: Knopf, Everyman's Library, 2005. Mann, Thomas. Doctor Faustus. Translated by John E. Woods. ... Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, reissued 2004. The extraordinary wealth of ...
Harvard could n't match Troy as a setting, and in Segal's whole novel only one person died. (Maybe this was another sign of the hormones manifesting themselves silently inside me. For while my classmates found The Iliad too bloody for ...