Caribbean Dance is an overview of the dances from each of this region's major islands and the complex, fused, and layered cultures that gave birth to them.
From the evolution of Indian dance in Trinidad to the barely known rituals of los misterios in the Domincan Republic, this volume looks closely at the vibrant & varied movement vocabulary of the islands.
In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres.
Exploring the culture and media of the Americas, this handbook places particular emphasis on collective and intertwined experiences and focuses on the transnational or hemispheric dimensions of cultural flows and geocultural imaginaries ...
Thank you also to Kyle Wagner and the entire production team at the University of Chicago Press, including Joel Score, Dawn Hall, Isaac Tobin, Levi Stahl, and Marilyn Bliss. It was a deep honor to spend time discussing the calypso craze ...
Taro Nagano, MA in Liberal Arts, Seisen University, ToNyo, Japan. 2018. ... BehindYtheYScenes Performances of Competitive Dance Moms.9 In Performing Motherhood: Artistic, Activist and Everyday Enactments, edited by Amber E. Kinser, ...
The lyrical dance movements make the dancer appear to wave vertically, starting with the pelvic area up through the core, shoulders, neck, and head. Santería (Regla de Ocha) is a Yoruba-based religion with a thin veil of Roman ...
... Abakuá to Zouk, ed. S. Sloat, 221–246. Gainesville: University Press of Florida. Dance Research Journal. 1974–. New York: Con- gress on Research in Dance (CORD). Daniel, Yvonne. 1983. “Dancing Down River: A ... Dance. in. the. African.
... Caribbean Dance- from Abakuá to Zouk . Susanna Sloat , ed . Gainesville : University Press of Florida . 23-55 . 2002b . Yet Another Praisesong [ review of the Big Drum Ritual of Carriacou ] . Canadian Journal of Latin American and Caribbean ...
... Ballroom, Boogie, Shimmy Sham, Shake, 170; Tim Wall, “Rocking Around the Clock,” In Ballroom, Boogie, Shimmy Sham, Shake, 187; Juliet McMains, “Danc- ing Latin/Latin Dancing: Salsa and DanceSport,” in Ballroom, Boogie, Shimmy Sham ...
The work establishes a general analytical language for the study of these dances, based on the premise that a thorough understanding of any lead/follow form must consider in depth how it manages the four-part relationship between self, ...