With Amusement for All is a sweeping interpretative history of American popular culture. Providing deep insights into various individuals, events, and movements, LeRoy Ashby explores the development and influence of popular culture -- from minstrel shows to hip-hop, from the penny press to pulp magazines, from the NBA to NASCAR, and much in between. By placing the evolution of popular amusement in historical context, Ashby illuminates the complex ways in which popular culture both reflects and transforms American society. He demonstrates a recurring pattern in democratic culture by showing how groups and individuals on the cultural and social periphery have profoundly altered the nature of mainstream entertainment. The mainstream has repeatedly co-opted and sanitized marginal trends in a process that continues to shift the limits of acceptability. Ashby describes how social control and notions of public morality often vie with the bold, erotic, and sensational as entrepreneurs finesse the vagaries of the market and shape public appetites. Ashby argues that popular culture is indeed a democratic art, as it entertains the masses, provides opportunities for powerless and disadvantaged individuals to succeed, and responds to changing public hopes, fears, and desires. However, it has also served to reinforce prejudices, leading to discrimination and violence. Accordingly, the study of popular culture reveals the often dubious contours of the American dream. With Amusement for All never loses sight of pop culture's primary goal: the buying and selling of fun. Ironically, although popular culture has drawn an enormous variety of amusements from grassroots origins, the biggest winners are most often sprawling corporations with little connection to a movement's original innovators.
Examines the effects of television culture on how we conduct our public affairs and how "entertainment values" corrupt the way we think.
The second edition of Popular Culture in American History updates the text for a contemporary readership and explores academic developments in this area of study over the last decade.
David Nasaw has written a sparkling social history of twentieth-century show business and of the new American public that assembled in the city's pleasure palaces, parks, theaters, nickelodeons, world's fair midways, and dance halls.
Surprisingly, our biggest entertainment attraction wasn't the pageants or even recognizable performers like Chuck Berry, who made periodic visits. It was Jimmy Sturr. One year, my father invited Sturr and his polka band to come and ...
Some of the acts performing in that same year at the Ferry Casino were the Trinity Trio (Frank Wallace, Lou Wallace and Eddie Hart), Jack Egan, Frank Lippy, Joe Melnery, Push-Push the Wop and George K. Hackett, the dancing clown.
In 1743, Newbery left Reading, putting his stepson John Carnan in charge of his business there, and established a shop in London. The first book he published there was A Little Pretty Pocket-Book in 1744.
... Barr Lindsey with Harvey J. O'Higgins Colorado's Japanese Americans Bill Hosokawa Colorado Women: A History Gail M. Beaton Denver: An Archaeological History Sarah M. Nelson, K. Lynn Berry, Richard F. Carrillo, Bonnie L. Clark, ...
Robinson Crusoe ROBINSON CRUSOE ISLAND . Rafts took children to. ANTIQUE CARs . Another addition to the park in the 1960s , these cars allowed children to practice their driving at an early age . TUBS OF FUN .
255- 290; Robert Snow and David Wright, "Coney Island: A Case Study in Popular Culture and Technical Change," Journal of Popular Culture 9 (Spring 1976): 960-975; Pilot and Ransom, Sodom by the Sea; Edo McCullough, Good Old Coney ...
Each entry explains why the saint is patron of whatever he or she is patron of, includes a summary of the saint's life, and highlights unusual or little-known facts about the saint. The book also includes an index for easy reference.