The story of westering Americans in the late nineteenth and early twentieth centuries has been told most notably through photographs of American Indians. Unlike this vast archive, produced primarily by male photographers, which depicted American Indians as either vanishing or domesticated, the lesser-known images by the women featured in Trading Gazes provide new ways of seeing the intersecting histories of colonial expansion and indigenous resistance. Four unconventional women-Jane Gay, who documented land allotment to the Nez Perces; Kate Cory, an artist who lived for years in a Hopi community; Grace Nicholson, who purchased cultural items from the Karuk and other northern California tribes; and Mary Schaffer, who traveled among the Stoney and Métis of Alberta, Canada-used cameras to document their cross-cultural encounters. Trading Gazes reconstructs the rich biographical and historical contexts explaining these women's presence in different Native communities of the North American West. Their photographs not only record the unprecedented opportunities available for Euro-American women eager to shed gender restrictions, but also reveal how women's newfound mobility depended on the increasing restrictions placed on Native Americans in this era. By tracing the complex, often unexpected relationships forged between these women, their cameras, and the Native subjects of their photographs, Trading Gazes offers a new focus for recovering women's histories in the West while bringing attention to the complicated legacies of these images for Native and non-Native viewers.
The Allotment Plot reexamines the history of allotment on the Nez Perce Reservation from 1889 to 1892 to account for and emphasize the Nez Perce side of the story.
This connection between the protection enjoyed by mediums and their ability to engage in regional trade surfaces in oral traditions that depict many Cwezi figures as prominent traders.86 In Buganda, the ability to engage in regional ...
Edited by Lee Grieveson and Peter Krämer, 15–30. New York: Routledge, 2004. ———. The Emergence of Cinema: The American Screen to 1907. Vol. 1 of History of American Cinema. Edited by Charles Harpole. New York: Scribner, 1990.
They have enough facts to know that this is not " real . " The point is , they have not forgotten , but what I will later define as the 360 ° gaze — the interrelations between semiotic codes , performative practices , psychological ...
The four-volume set LNCS 9296-9299 constitutes the refereed proceedings of the 15th IFIP TC13 International Conference on Human-Computer Interaction, INTERACT 2015, held in Bamberg, Germany, in September 2015.
John H. Rowe , " The Incas under Spanish Colonial Institutions , " Hispanic American Historical Review 37 ( 1957 ) : 155-99 ; Karen Spalding , Huarochiri : An Andean Society Under Inca and Spanish Rule ( Stanford : Stanford University ...
This collection provides a map of the critical issues central to the discipline, as well as uncovering new perspectives and new directions for the development of the field.
A Victorian Traveler in the Middle East: The Photography and Travel Writing of Annie Lady Brassey. Burlington: Ashgate, 2003. Micklewright, Nancy. “Tracing the Transformations in Women's Dress in Nineteenth-Century Istanbul.
Norda's handwriting looked more like chicken scratches in brown ink. Brown? She jerked her hands back, and the book fell with a clunk to the tabletop. “What is it, Skyler?” Nathan asked. “This ink. Blood dries to this same rich shade of ...
I have read both the holding out of the medicine pipe toward the viewer and the expression on Philip Flat Tail's face as a visual dynamic that opens up a structure of reciprocity or gift. In his attempt to understand the workings of ...