An analysis of over one hundred artistic representations of lynching addresses issues of race and racial violence throughout American history.
The two essays by Apel and Smith address photographs of lynching, but their analysis can be applied to a broader spectrum of images presenting ritual or spectacle killings."—Frances Pohl, author of Framing America: A Social History of ...
"In this meticulously researched and innovative study, Ken Gonzales-Day brings to light the history of lynching in California. As an artist, Gonzales-Day renders a stunning visual record of an absent history.
Elizabeth Alexander's analysis of this piece argues that it tells “ not simply the overt story of a lynching but the far more troubling story of the complicity of the photographer , who watches but does not witness , who perpetuates ...
While this picture of lynching tells a distressingly familiar story about mob violence in America, it is not the full story.
24, 35), 301 (nn. 1, 4, 6); John Carter, 42–43, 98, 191–92, 303 (n. 25); John Crooms, 93; John Lee, 186, 189, 195; John Metcalf, 306 (n. 54); Joseph Richardson, 80; J. P. Ivy, 211; Lint Shaw, 193, 195, 198–99, 201, 210, 223; Lloyd Clay, ...
Ethical Complications of Lynching highlights the residual effects of lynching as a twenty-first century moral impediment in the fight to actualize ethical possibilities.
In Imprisoned in a Luminous Glare, Leigh Raiford argues that over the past one hundred years activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual ...
This book was first published as a special issue of American Nineteenth Century History
Frequently reissued with the same ISBN, but with slightly differing bibliographical details.
The End of American Lynching questions how we think about the dynamics of lynching, what lynchings mean to the society in which they occur, how lynching is defined, and the circumstances that lead to lynching.