Movie musicals are among the most quintessentially American art forms, often celebrating mobility, self-expression, and the pursuit of one’s dreams. But like America itself, the Hollywood musical draws from many distinct ethnic traditions. In this illuminating new study, Desirée J. Garcia examines the lesser-known folk musicals from early African American, Yiddish, and Mexican filmmakers, revealing how these were essential ingredients in the melting pot of the Hollywood musical. The Migration of Musical Film shows how the folk musical was rooted in the challenges faced by immigrants and migrants who had to adapt to new environments, balancing American individualism with family values and cultural traditions. Uncovering fresh material from film industry archives, Garcia considers how folk musicals were initially marginal productions, designed to appeal to specific minority audiences, and yet introduced themes that were gradually assimilated into the Hollywood mainstream. No other book offers a comparative historical study of the folk musical, from the first sound films in the 1920s to the genre’s resurgence in the 1970s and 1980s. Using an illustrative rather than comprehensive approach, Garcia focuses on significant moments in the sub-genre and rarely studied films such as Allá en el Rancho Grande along with familiar favorites that drew inspiration from earlier folk musicals—everything from The Wizard of Oz to Zoot Suit. If you think of movie musicals simply as escapist mainstream entertainment, The Migration of Musical Film is sure to leave you singing a different tune.
In Movie Mutations: The Changing Face of World Cinephilia, edited by Jonathan Rosenbaum and Adrian Martin, 94–108. London: British Film Institute. ... “Visual Pleasure and Narrative Cinema. ... Movies, Songs, and Electric Sound.
He is author of Intersecting Film, Music, and Queerness (2016), which bridges musicology, cinema studies and queer theory. He writes about film, music, sexuality, popular culture, production practices and animation.
"This is a long overdue and brilliant contribution to our understanding of the intellectual migration from Europe.
A unique study of the film musical, a global cinema tradition.
In MusikSpektakelFilm: Musiktheater und Tanzkultur in deutschen Film, 1922–1937, edited by Hans-Michael Bock, ... sui mezzi di comunicazione di massa e l'opera [Writings on Mass Media and the Opera]. Vol. 2. Quaderni dell'I.R.TE.M.
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
... romantic drama ' wishes to evoke tears ; the romantic comedy [ ... ] aims for laughter ' ( Glitre 2006 : 9f . ) . The distinctive qualities of the romance experience itself , which can be embedded in a wide variety of other genre ...
Exploring a Musical Genre James E. Perone. Recent Titles in Exploring Musical Genres Listen to New Wave Rock! Exploring a Musical Genre James E. Perone Listen to Pop! Exploring a Musical Genre James E. Perone Listen to the Blues! Exploring ...
Traces the development of the movie musical, discusses the role of the genre, and looks at the structure, style, and themes of American musicals
... Stars in khaki . Once again all of the stars in Warners ' stable had been cor- ralled into the film . As a result , the film canteen featured more celebrities than the real Hollywood Canteen ever could . The melodies parallel those of ...