Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.
... Cinemas and Horror Studies and coauthored the “Film and Horror” entry in the Oxford Research Encyclopedia of Communication with Dr. Kendall R. Phillips. Her book, Transnationalism and Genre Hybridity in New British Horror Cinema, ...
... Liberating Hollywood, 8–9, 10–12. 38. Smukler, Liberating Hollywood, 272. For a detailed account of the DGA lawsuit, see Smukler's Liberating Hollywood, 262–271. 39. Akiva Gottlieb, “30 Years after Making History with 'A Dry White ...
Gender, Creative Labor, and 1970s American Cinema Aaron Hunter, Martha Shearer. 13 Montañez Smukler, Liberating Hollywood, 64; Banks, The Writers, 179. 14 Montañez Smukler, Liberating Hollywood, 75–76. 15 Smukler, Liberating Hollywood ...
" Thomson's words provide the impetus for this volume in which a cohort of seasoned film critics and scholars who came of age watching the movies of this era reflect upon and reconsider this golden age in American filmmaking.
Kay Francis in Mary Stevens, M.D. demonstrates this point exactly. Even though Mary Stevens is an excellent pediatrician, women don't want to come to her. “I've got to have a man doctor” and “A woman doctor ugh no thanks!
... Parables in Changing Contexts: Essays in the Study of Parables in Christianity, Judaism, Islam and Buddhism (ed. Marcel Poorthuis and Eric Ottenheijm; Leiden: Brill, 2020), 37–56; Jeffrey Rubenstein, “The Role of Disgust in Rabbinic ...
... Liberating Hollywood: Women Directors & the Feminist Reform of 1970s American Cinema (New Brunswick, NJ: Rutgers University Press, 2019), 2. 21 Shirley Clarke and Storm de Hirsch, “A Conversation,” Film Culture, 1968. 22 Smukler, Liberating ...
Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video ...
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A wisecracking foreign correspondent recounts her experiences in Afghanistan and Pakistan while sharing cautionary observations about the region in its first post-Taliban years and the responsibilities of the U.S. and NATO.