This book brings together the work of pioneering scholars in the field- critics who are exploring the psychosexual tensions within Bishop's vision and the uncanny way her poetics of dislocation challenges our assumptions about placement and orientation. These scholars argue that Bishop's "sense of difference" as an orphan, a woman artist, and a lesbian plays a significant role in the questioning of aesthetic, ethical, and sexual boundaries that is so much a part of her poetic practice. Drawing on central issues of Bishop's personal life, the book considers the ways in which the poet's art confronts the female body, the sexual politics of literary tradition, and the pleasures and perils of language itself.
This unprecedented collection offers a full-scale presentation of a writer of startling originality, at once passionate and reticent, adventurous and perfectionist.
In this book, novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences—the American poet Elizabeth Bishop.
Finally, they did end: a thick White snarl, man-size, awash, rising on every wave, a sodden ghost, falling back, sodden, giving up the ghost. . . . A kite string?—But no kite.
The fifteen essays in this collection use this archive as a subject, and, for the first time, argue for the critical importance of working with and describing original documents in order to understand the relationship between this most ...
In Love Unknown, Thomas Travisano, founding president of the Elizabeth Bishop Society, tells the story of the famous poet and traveler's life.
Gilbert, Sandra M, and Susan Gubar. No Man's Land. Vol. 1, The Place of the Woman Writer in the Twentieth Century. New Haven: Yale University Press, 1987. . No Man's Land. Vol. 2, Sexchanges. New Haven: Yale University Press, 1989.
This study finds the poems and stories mutually illuminating, but while moving back and forth among her various works, acknowledges the intelligent ordering of the volumes Bishop published in her lifetime.
Loren is painting a large picture of the red kite just now, I think. We have [the kite] here and intend to go flying it—on the town dump—as soon as there is the proper breeze. It is very warm. Every day we go swimming about noontime.
Traces the life of the Pulitzer Prize-winning poet, discusses her major poems, and looks at how events in her life influenced her writing
Conscious Service: Ten ways to reclaim your calling, move beyond burnout, and make a difference without sacrificing yourself will help service providers in all types of human service understand and move beyond burnout and compassion fatigue ...