Francophone African writing is often concerned with questions of subjectivity and narrative agency, and it is this focus Michael Syrotinski takes as his point of departure in Singular Performances. Using the work of V. Y. Mudimbe as a major theoretical reference, Syrotinski sets up a number of original dialogues between francophone African literature, African philosophy, literary theory, postcolonial studies, cinema, cultural studies, and history to arrive at the notion of a "performative reinscription of subjectivity." Singular Performances covers a wide range of francophone African writers, each of whom is read within a broader theoretical context related to African subjectivity: Mudimbe and the philosophical subject, Aoua Kéita and autobiography, Bernard Dadié and ethnographic irony, Ousmane Sembene and Tierno Monénembo and the cinematic imagination, Véronique Tadjo and Werewere Liking and the female writing subject, and Sony Labou Tansi and the "spectral" subject. In this skillful interdisciplinary weaving together of contemporary theory and literature, the focus on the francophone African subject allows for a richer appreciation of the texture and rhetoric of the language of the texts themselves. What emerges from this study is the subject understood not as a single homogenized entity but as a plural celebration of singular francophone African subjectivities.
While the associated formulation is not necessarily new, as mentioned above, its actual implementation requires care in order to deal correctly with multiple or tightly clustered singular values, or some cases of splitting.
To apply to theatre Eco's insights into poetry and musical composition , what we find is that whereas the script offers copious , but not infinite , possibility , a theatrical performance offers a singular reading , or instantiation ...
This collection promises to shape discourse on screen acting for many years to come.' David Sterritt, Maryland Institute College of Art What actors do on-screen is a fascination for audiences all over the world.
Its simplest computation leads to a rectangular shape, as in (3), where we independently fix ranges on the singular performances. A more sophisticated instance is represented by the convex hull of the jointly observed performances in ...
Part II, 'Challenges to the model', looks at problems for the model from the vantage point of alternative musical possibilities. Five central features of performance developed in Part I involve the place of the musical work, ...
As Schieffelin observes, performances “refer to the past and plunge to the future, they exist only in the present” (1998, ... yet pertain to a specific, singular performance and the relation between this event and its participants.
This collection promises to shape discourse on screen acting for many years to come.' David Sterritt, Maryland Institute College of Art What actors do on-screen is a fascination for audiences all over the world.
After that singular performances, the discussion of many within and outside the school was on “the black student and his performance in the drama he took part in”. As Eketo did his normal academic and routine Chapter Fourteen.
The Cup of Coffee Club shares the stories of eleven men who played in just a single major league baseball game and how they responded to the heartache of never making it back.
... historicallyinformed interpretations of canonical nineteenth- century orchestral works with London Classical Players, wrote an enthusiastic preface to Clive Brown's monumental Classical and Romantic Performing Practice (1750–1900).