Widely debated in feminist, poststructuralist, and literary theory is the relationship between subjectivity and the body. Yet autobiographical criticism--an obvious place for testing this conceptual relationship--has lagged behind contemporary queries about the embodied self. In The Invading Body, Einat Avrahami corrects this deficiency by analyzing the genre of terminal illness autobiographies. These personal narratives challenge the world of self-writing in their power to question the assumption that autobiography--and the body--are products of cultural constructs and discursive practices. Their self-disclosures of symptoms, disabilities, and the physical and psychological pains of treatment, especially when combined with thoughts of further deterioration and imminent death, defy the theoretical formulations of identity and alter the definition of autobiography itself. Avrahami investigates an array of autobiographical testimonies of terminal illness ranging from Harold Brodkey's poignant account of his struggle with AIDS to Hannah Wilke's and Jo Spence's gripping self-portraits of cancer. By challenging the artificial and contrived skepticism that critics and theorists bring to their concepts of the self, the author argues, these illness narratives constitute an "invasion of the real," confronting the notions of self-representation and self-invention on which current autobiographical studies are based. The author's examinations of these moving memoirs and photographs will engage not only the growing field of disability studies, but also a more general readership interested in the transition that occurs when one's body suddenly falls out of step with one's mind.
Teletheory (the book) offers a rationale and guidelines for a specific genre--mystory--designed to do the work of schooling and popularization in a way that takes into account the new discursive and conceptual ecology interrelating orality, ...
Uncollected Articles, Reviews, and Radio Broadcasts Written After 1900 William Butler Yeats Richard J. Finneran, George Mills Harper. called in memory of those exultant weeks 'Words for Music Perhaps' (VP 831). 522.
Roman témoignage. Roman psychologique (intime).
Indeed, elsewhere Karen Leeder has identified an array of texts, written like Saeger's in response to the Wende, which reveal a 'slippage between documentary and literature'.7 Saeger conflates a wide range of different 'texts' in his ...
“ Memoro - politics , ” which he triangulates with Michel Foucault's two poles of anatomo- and bio - politics - the politics of the human body and the politics of the human population - is “ a politics of the ...
First we fell behind on gas and electric bills . The roof of the house was leaking . ... We moved out of the damp , dark and cold house into a four - room rear apartment on W. 61st Street . The new apartment was behind a rowdy bar ...
See also Rosilene Alvim and J. Sergio Leite Lopes , ' Families ouvrieres , families d'ouvrieres ' , Actes de la recherche en sciences sociales 84 ( 1990 ) : 78-84 ; and ' L'Usine et la veranda : theatralisation de la domination ...
Autobiographies: a Language Arts Unit for High-ability Learners
The best example is Gus Hall , the aging head of the Communist Party in America , who serves as a prophetic image of what Rader fears he will become in his middle age : an irrelevant has - been , " trapped in his role " and stuck in ...
" ""Jeffrey Berman's examination of each partner's writings gives this book its unique perspective.