A distinguished poet and essayist and one of the finest writers of short stories in world letters, Jorge Luis Borges deliberately and regularly altered his work by extensive revision. In this volume, renowned Borges scholar Daniel Balderston undertakes to piece together Borges's creative process through the marks he left on paper. Balderston has consulted over 170 manuscripts and primary documents to reconstruct the creative process by which Borges arrived at his final published texts. How Borges Wrote is organized around the stages of his writing process, from notes on his reading and brainstorming sessions to his compositional notebooks, revisions to various drafts, and even corrections in already-published works. The book includes hundreds of reproductions of Borges’s manuscripts, allowing the reader to see clearly how he revised and "thought" on paper. The manuscripts studied include many of Borges’s most celebrated stories and essays--"The Aleph," "Kafka and His Precursors," "The Cult of the Phoenix," "The Garden of Forking Paths," "Emma Zunz," and many others--as well as lesser known but important works such as his 1930 biography of the poet Evaristo Carriego. As the first and only attempt at a systematic and comprehensive study of the trajectory of Borges's creative process, this will become a definitive work for all scholars who wish to trace how Borges wrote.
The incomparable Borges delivered these seven lectures in Buenos Aires in 1977; attendees were treated to Borges' erudition on the following topics: Dante's The Divine Comedy, Nightmares, Thousand and One Dreams, Buddhism, Poetry, The ...
This book includes 118 earlier pieces never before translated, and moves through his more fantastic work to a later realism
It will come as a surprise to some readers that the greater part of Jorge Luis Borges's extraordinary writing was not in the genres of fiction or poetry, but in...
Humor in Borges studies the humor embedded in the fiction of the serious and metaphysical literary figure, Jorge Luis Borges.
If I could see, I would never leave the house, I’d stay indoors reading the many books that surround me.” —Jorge Luis Borges Days before his death, Borges gave an intimate interview to his friend, the Argentine journalist Gloria Lopez ...
This book will be an invaluable resource for all who treasure the modern master."--BOOK JACKET.
A compilation of the twenty-five lectures Borges gave in 1966 at the University of Buenos Aires, where he taught English literature.
For the first time ever, here is a volume that brings together Borges’s wide-ranging reflections on writers, on the canon, on the craft of fiction and poetry, and on translation—an ars poetica of one of the twentieth century’s ...
And, given the writer at hand, at the hands of an ideal reader like Balderston, historical points show up from the most literarily sensitive symptomatic readings."-Doris Sommer, Harvard University
Transcribed from recently discovered tapes, this work stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature. 1 halftone.