In this fascinating book, Mark Stein examines black British literature, centering on a body of work created by British-based writers with African, South Asian, or Caribbean cultural backgrounds. Linking black British literature to the bildungsroman genre, this study examines the transformative potential inscribed in and induced by a heterogeneous body of texts. Capitalizing on their plural cultural attachments, these texts portray and purvey the transformation of post-imperial Britain. Stein locates his wide-ranging analysis in both a historical and a literary context. He argues that a cross-cultural and interdisciplinary approach is essential to understanding post-colonial culture and society. The book relates black British literature to ongoing debates about cultural diversity, and thereby offers a way of reading a highly popular but as yet relatively uncharted field of cultural production. With the collapse of its empire, with large-scale immigration from former colonies, and with ever-increasing cultural diversity, Britain underwent a fundamental makeover in the second half of the twentieth century. This volume cogently argues that black British literature is not only a commentator on and a reflector of this makeover, but that it is simultaneously an agent that is integral to the processes of cultural and social change. Conceptualizing the novel of transformation, this comprehensive study of British black literature provides a compelling analytic framework for charting these processes.
David Dabydeen, The Black Presence in English Literature (Manchester: Manchester University Press, 1985. The same year Dabydeen also published Hogarth's Blacks: Images of Blacks in Eighteenth-Century English Art (Athens: University of ...
In collections like Merle Collins and Rhonda Cobham (eds), Watchers and Seekers (London: The Women's Press, 1987) and Lauretta Ngcobo (ed.), Let it Be Told (London: Pluto Press 1987) the editors appear to register a more cautious ...
A Reader's Guide to West Indian and Black British Literature
Despite these complexities, there is no doubt that twenty-first-century black and Asian British theatres are ready to confront such challenges as they ... Modern and Contemporary Black British Drama (London: Palgrave Macmillan, 2015).
AN EXAMINATION OF BLACK BRITISH WRITING FROM A BLACK BRITISH PERSPECTIVE Write Black, Write British: From Post Colonial to Black British Literature examines the new Black British writers in Britain,...
With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in ...
Aimed at the UK schools' literary and multicultural curriculum, this text charts the highly productive and rewarding terrain of West Indian and black English literature.
... get touch by my dirty jungle finger, but I don't care about what he say and do, because then I turn to Maurice, smile on him and tell him in fast patois the bartender won't understand, a so yuh reach a pub n'a country yuh nuh baan.
52 T. Bennett Hegemony , ideology , pleasure : Blackpool , in T. Bennett et al . ( eds ) Popular Culture and Social Relations , Milton Keynes : Open University Press , 1986 , p . 141. Bennett also enlists the mock invasion ...
This collection seeks both to show the ethical effects of narrative form on individual readers and to foster reconceptualizations of narrative theory that account for the workings of race within literature and culture.