Stars and Silhouettes: The History of the Cameo Role in Hollywood traces the history of the cameo as it emerged in twentieth-century cinema. Although the cameo has existed in film culture for over a century, Joceline Andersen explains that this role cannot be strictly defined because it exists as a constellation of interactions between duration and recognition, dependent on who is watching and when. Even audiences of the twenty-first century who are inundated by the lives of movie stars and habituated to images of their personal friends on screens continue to find cameos surprising and engaging. Cameos reveal the links between our obsession with celebrity and our desire to participate in the powerful cultural industries within contemporary society. Chapter 1 begins with the cameo’s precedents in visual culture and the portrait in particular—from the Vitagraph executives in the 1910s to the emergence of actors as movie stars shortly after. Chapter 2 explores the fan-centric desire for behind-the-scenes visions of Hollywood that accounted for the success of cameo-laden, Hollywood-set films that autocratic studios used to make their glamorous line-up of stars as visible as possible. Chapter 3 traces the development of the cameo in comedy, where cameos began to show not only glimpses of celebrities at their best but also of celebrities at their worst. Chapter 4 examines how the television guest spot became an important way for stars and studios to market both their films and stars from other media in trades that reflected an increasingly integrated mediascape. In Chapter 5, Andersen examines auteur cameos and the cameo as a sign of authorship. Director cameos reaffirm the fan’s interest in the film not just as a stage for actors but as a forum for the visibility of the director. Cameos create a participatory space for viewers, where recognizing those singled out among extras and small roles allows fans to demonstrate their knowledge. Stars and Silhouettes belongs on the shelf of every scholar, student, and reader interested in film history and star studies.
Scheurer, Timothy E. The Nineteenth Century and Tin Pan Alley. Bowling Green, OH: Bowling Green ... Timberlake, Craig. The Bishop of Broadway: The Life ...
Deal. with. Them. There«s one constant in the world of action sports, and that«sthe recurring issue with authority figures. The concernis justifiable when ...
Mycommunicationkit Student Access Code Card
... Rare Books Room, and Ruth Senior and the staff, interlibrary loan, Pattee Library, Penn State; Elaine Burrows, Jackie Morris, Roger Holman, Markku Salmi ...
With the exception of the actors, the majority of the Star Trek production staff were male, except for the wardrobe staff whom we've mentioned.
Todd of course has been leading the Roundabout since 1983 and, after many years at the helm, ... Notes 1 Terrence E. Deal and Allan A. Kennedy, Corporate.
... and it took eight years to complete his four - picture deal . ... Money was no object Valli , Ann Todd , and Hitchcock during filming of The Paradine ...
Michael Todd's Peep Show [28 June 1950] musical revue by Bobby Clark, ... an emergency and the crew has to deal with the two women on board for some time, ...
New Anatomies, Grace of Mary Traverse, Our Country's Good, Love of a Nightingale & Three Birds Alighting on a Field
In this wondrous drama Timberlake Wertenbaker explores the beauty and terror inherent in growing up. The Ash Girl premiered at Birmingham Rep in 2001.