Henry M. Beach was a prolific and accomplished upstate New York photographer who documented the North Country during the first quarter of the twentieth century. Although much less known and celebrated, Beach's work is as important to the twentieth-century Adirondacks as Seneca Ray Stoddard's is to the nineteenth century. Illustrated with over 250 examples of his work including ten panoramic foldouts, this book covers the range of Beach's subject matter. Robert Bogdan's lively and accessible approach to the photographer's work encourages the reader to explore the North Country's people and places through Beach's photography and life. Although Beach's postcard pictures and other photographs were taken to sell in bulk to hotel managers, tourist shop owners, and other retail merchants, they are not just mass-produced, stylized, pretty pictures. Beside the bubbling brooks and shady woodland paths are factory boomtowns and paper mills belching pollution. As the rails brought increasing numbers of middle-class tourists to the Adirondacks, the wealthy created their own exclusive wilderness playground. Beach photographed dandy visitors at play as well as manual laborers sweating in the forest, logging camps, factories, mines, and construction sites. Images of "great camps" sit next to modest abodes, small stores, and family-owned resorts. Pictures of trains in scenic surroundings give way to mangled wrecks after tragic railroad accidents. In addition to standard view cards, he produced montages and advertisement postcardsserious visual commentary as well as lighthearted picture play. Beach's best works stir the heart and provoke the imagination, and his whimsical, down-to-earth approach to photography produced images that are a treat to the eye.
Frank enjoyed photographing wildlife in the Adirondacks and compiled an album of photo postcards he had taken of local animals for his and his family's own pleasure ( illus . 2.15 ) . William did not photograph animals except for his ...
In this edition, Kaiser defines "Adirondack Rustic Style" as an influential aesthetic movement in architecture and describes its development in the Adirondack region, particularly in the "Great Camps", often large rustic retreats built and ...
... Adirondack Vernacular , 19 , 21 . 4. Bogdan , Exposing the Wilderness , 63-64 ; Bogdan , Adirondack Vernacular , 22 , notes 10 and 34 . 5. “ Auto His Only Asset , " Lowville Journal and Re- publican and Lowville Times , September 3 ...
The only way to salvage anything from the tea sale, John Brown ultimately decided, was to take possession of the land ... of land will be fixing a certain and handsorne fortune to your dear nephew John B. Francis who is a fine fellar .
Peaks and People of the Adirondacks
The Adirondacks, 1830-1930
Archival photographs and text describe the history, social life and customs of the Adriondack Mountain region in New York.
... Adirondack Life . April 1999 , pp . 48-53 , 86 . Beetle , David H. Up Old Forge Way . Rochester , New York : Louis Heindl & Son , 1948 . Bird , Norton Bus . Changing Times in the Adirondacks , 1999 . Bogdan , Robert . Adirondack Vernacular ...
In each of the Adirondack hamlets , several hotels opened to serve the traveling public , hunters , fishermen , and vacationers . Open for 60 years in Wells was one of the many hotels named Adirondack Inn . The Adirondack Inn , shown ...
It is also the story of man's struggle with and passion for the natural world.