Latinx representation in the popular imagination has infuriated and befuddled the Latinx community for decades. These misrepresentations and stereotypes soon became as American as apple pie. But these cardboard cutouts and examples of lazy storytelling could never embody the rich traditions and histories of Latinx peoples. Not seeing real Latinxs on TV and film reels as kids inspired the authors to dive deep into the world of mainstream television and film to uncover examples of representation, good and bad. The result: a riveting ride through televisual and celluloid reels that make up mainstream culture. As pop culture experts Frederick Luis Aldama and Christopher González show, the way Latinx peoples have appeared and are still represented in mainstream TV and film narratives is as frustrating as it is illuminating. Stereotypes such as drug lords, petty criminals, buffoons, and sexed-up lovers have filled both small and silver screens—and the minds of the public. Aldama and González blaze new paths through Latinx cultural phenomena that disrupt stereotypes, breathing complexity into real Latinx subjectivities and experiences. In this grand sleuthing sweep of Latinx representation in mainstream TV and film that continues to shape the imagination of U.S. society, these two Latinx pop culture authorities call us all to scholarly action.
Each of the works in this book passes what Frederick Luis Aldama and Christopher Gonzalez dub the “Latinx Bechdel Test” in Reel Latinxs: Representation in U.S. Film and TV. Riffing off Alison Bechdel's Bechdel Test, which focuses on ...
And, with the recent publication of Reel Latinxs and Talking #BrownTV, I and my scholarly compadres Christopher González and William Nericcio have made some cointerpretive forays into this space as well.
Latin America fetes Donald Duck, showering him with birthday gifts and hosting his visits to Bahia and Mexico, much as, in relation to the film's production, Latin Americans hosted Disney and his team and much as, in relation to the ...
I recall here a few emblematic examples of mainstream reel sci- fi's lazy and damaging reconstructions of Latinxs. Barry Sonnenfeld's Men in Black (1997) includes as its precredit launch into the story proper the following scene: on the ...
It's there, we can't deny either aspect. (cited In Angie Chabram's ... For example, chapter 8 reads: "What Appears to Be a Deviation of Our Story but Wherein, with Some Patience, the Reader Will Discover That There Is Always More Than ...
Then there is Alicia Escalante, head of the Chicana welfare rights movement in Los Angeles. ... Chicano. Renaissance. Poets, artists, theater groups, and novelists also marched in step with the Chicano Movement.
Each of the essays shows in a systematic, clear, and precise way how multicultural comic books work in and of themselves and also how they are interconnected with a worldwide tradition of comic-book storytelling.
La frontera is full of stories. Real stories, not the ones you see in the news. The border is a powerful place where countries collide. It’s a weird space of dreams, struggles, promises, lies, fear, and redemption.
(151) The need for becoming aware of these kinship rights and responsibilities is sounded in Rose's Itch Like Crazy more than once. Reestablishing kinship to one's relatives and original place brings connectedness and healing, ...
"This book is a fiery critique on cultural appropriation rampant in today's culinary marketplace"--Provided by publisher.