The Mexican Revolution was a tumultuous struggle for social and political reform that ousted an autocrat and paved the way for a new national constitution. The conflict, however, came late to Yucatán, where a network of elite families with largely European roots held the reins of government. This privileged group reaped spectacular wealth from haciendas, cash-crop plantations tended by debt-ridden servants of Maya descent. When a revolutionary army from central Mexico finally gained a foothold in Yucatán in 1915, the local custom of agrarian servitude met its demise. Drawing on a dozen years of archaeological and historical investigation, Allan Meyers breaks new ground in the study of Yucatán haciendas. He explores a plantation village called San Juan Bautista Tabi, which once stood at the heart of a vast sugar estate. Occupied for only a few generations, the village was abandoned during the revolutionary upheaval. Its ruins now lie within a state-owned ecological reserve. Through oral histories, archival records, and physical remains, Meyers examines various facets of the plantation landscape. He presents original data and fresh interpretations on settlement organization, social stratification, and spatial relationships. His systematic approach to "things underfoot," small everyday objects that are now buried in the tropical forest, offers views of the hacienda experience that are often missing in official written sources. In this way, he raises the voices of rural, mostly illiterate Maya speakers who toiled as laborers. What emerges is a portrait of hacienda social life that transcends depictions gleaned from historical methods alone. Students, researchers, and travelers to Mexico will all find something of interest in Meyers's lively presentation. Readers will see the old haciendas--once forsaken but now experiencing a rebirth as tourist destinations--in a new light. These heritage sites not only testify to social conditions that prevailed before the Mexican Revolution, but also remind us that the human geography of modern Yucatán is as much a product of plantation times as it is of more ancient periods.
Hacienda Courtyards takes you on a behind-the-scenes tour of gracious outdoor living areas, from the Yucatan's colonial estates to the centuries-old homes and haciendas of Morelia, Alamos and Oaxaca.
Biography of a Hacienda is a book that will last for generations.
Haciendas features traditional and modern hacienda architecture in Mexico and southwestern United States. Sumptuous photography portrays the increasing fascination with hacienda architecture today, as evidenced by the movement to renovate...
In Casa Yucatan, award-winning authors and interior designers Karen Witynski and Joe P. Carr travel under the Mayan sun to discover the vitality and virtues of this rich design community, catapulted into the international design spotlight ...
... hacienda owners naturally looked for an increase in the area of cultivation and this had to be , necessarily , at ... outside the hacienda walls . Some villagers were able to rent land from the hacienda , paying for it by sharecropping ...
“The Area around the Kiln and the Pottery from the Kiln and the Kiln Dump.” In A LM IA Ceramic Kiln in South-Central Crete: Function and Pottery Production. Hesperia Supplement 30, 5–24. Athens: American School of Classical Studies at ...
In The Transition to Statehood in the New World, edited by Grant D. Jones and Robert R. Kautz, pp. 188–227. Cambridge University Press, New York. Freidel, David A. 1985 Polychrome Facades of the Lowland Maya Preclassic.
Explore the architectural elements and water havens that will inspire your own courtyard paradise.
... Hacienda Labor during the Mexican Revolution: Evidence from Yucatán.” Mexican Studies / Estudios Mexicanos 30 (2): 366–96. Meyers, Allan. 2012. Outside the Hacienda Walls: The Archaeology of Plantation Peonage in Nineteenth- Century ...
Fedick, Scott L. “Ancient Maya Use of Wetlands in Northern Quintana Roo, Mexico.” In Hidden Dimensions: e Cultural Significance of Wetland Archaeology, edited by Kathryn Bernick, –. Vancouver: University of British Columbia Press, .