Needing guidance and seeking insight, the Council of Europe approached Pierre Lévy, one of the world's most important and well-respected theorists of digital culture, for a report on the state (and, frankly, the nature) of cyberspace. The result is this extraordinary document, a perfectly lucid and accessible description of cyberspace-from infrastructure to practical applications-along with an inspired, far-reaching exploration of its ramifications. A window on the digital world for the technologically timid, the book also offers a brilliant vision of the philosophical and social realities and possibilities of cyberspace for the adept and novice alike. In an overview, Lévy discusses the distinguishing features of cyberspace and cyberculture from anthropological, philosophical, cultural, and sociological points of view. An optimist about the future potential of cyberspace, he eloquently argues that technology-and specifically the infrastructure of cyberspace, the Internet-can have a transformative effect on global society. Some of the issues he takes up are new art forms; changes in relationships to knowledge, education, and training; the preservation of linguistic and cultural differences; the emergence and implications of collective intelligence; the problems of social exclusion; and the impact of new technology on the city and democracy in general. In considerable detail, Lévy describes the ways in which cyberspace will help promote the growth of democracy, primarily through the participation of individuals or groups. His analysis is enlivened by his own personal impressions of cyberculture-garnered from bulletin boards, mailing lists, virtual reality demonstrations, andsimulations. Immediate in its details, visionary in its scope, deeply informed yet free of unnecessary technical language, Cyberculture is the book we require in our digital age. --Publisher.
Fred Turner here traces the previously untold story of a highly influential group of San Francisco Bay–area entrepreneurs: Stewart Brand and the Whole Earth network.
In “ Cyberquake : Haraway's Manifesto , " Zoë Sofoulis responds to this question in her discussion of Donna Haraway's landmark " Cyborg Manifesto , " and in the process crystallizes a number of the themes developed in this section .
Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR. ""Flame Wars" . . . connects the dots of cyberculture's pixilated universe."--"Voice Literary Supplement"
Formalisms of digital text / Francisco J. Ricardo -- Knowledge building and motivations in Wikipedia: participation as "Ba" / Sheizaf Rafaeli, Tsahi Hayat, Yaron Ariel -- On the way to the cyber-Arab-culture: international communication, ...
This work indexes the literature of the German Early and High Middle Ages according to geographical location. Separate articles investigate the major literary centers - such as Fulda, Regensburg, and Braunschweig.
'facts': (i) that Gibson was only dimly aware at best of work in the area of virtual reality when he wrote Neuromancer; (ii) that he wrote Neuromancer on acranky old manual typewriter; and (iii) that his inspiration for imagining ...
Mechanical Brides ( 1993 ) , the companion volume to an exhibition of the same name at the Smithsonian , documents ways in which advertisements for modern appliances and office machinery ...
One way of approaching cybercultural studies is to focus on the relations and patterns, means and artifacts of cultural production and exchange on-line. ... Critical Cyberculture Studies (New York: New York developmental changes.
Highlighting a wide range of topics such as digital media, activism, and psychology, this book is ideal for academicians, researchers, sociologists, psychologists, anthropologists, and students.
Bethke's term Cyberpunk is a science fiction genre that attained a major generic status in popular writ- emerged in the 1980s which works mainly ing after William Gibson's Neuromancer, pub- with cybertechnology, including virtual ...