In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the “New Negro.” This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance. What is less known is how far afield of Harlem that renaissance flourished—how much the New Negro movement was actually just one part of a collective explosion of political protest, cultural expression, and intellectual debate all over the world. In this volume, the Harlem Renaissance “escapes from New York” into its proper global context. These essays recover the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe from New York to New Orleans, from Paris to the Philippines and beyond. Escape from New York does not so much map the many sites of this early twentieth-century Black internationalism as it draws attention to how New Negroes and their global allies already lived. Resituating the Harlem Renaissance, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience. This more comprehensive vision serves as a lens through which to better understand capitalist developments, imperial expansions, and the formation of brave new worlds in the early twentieth century. Contributors: Anastasia Curwood, Vanderbilt U; Frank A. Guridy, U of Texas at Austin; Claudrena Harold, U of Virginia; Jeannette Eileen Jones, U of Nebraska–Lincoln; Andrew W. Kahrl, Marquette U; Shannon King, College of Wooster; Charlie Lester; Thabiti Lewis, Washington State U, Vancouver; Treva Lindsey, U of Missouri–Columbia; David Luis-Brown, Claremont Graduate U; Emily Lutenski, Saint Louis U; Mark Anthony Neal, Duke U; Yuichiro Onishi, U of Minnesota, Twin Cities; Theresa Runstedtler, U at Buffalo (SUNY); T. Denean Sharpley-Whiting, Vanderbilt U; Michelle Stephens, Rutgers U, New Brunswick; Jennifer M. Wilks, U of Texas at Austin; Chad Williams, Brandeis U.
"Prepare for the road trip of a lifetime. Jack Burton and Snake Plissken haul the Pork-Chop Express across the dystopian plains of America to stop their worlds from coming to an end."--page 4 of cover
"After making it out alive through the madhouse of Florida, Snake Plissken gets on a plane, only to be thrown out over Siberia, returning him to a battlefield he thought he left long behind"--Page 4 of cover.
Are you ready for.
In 1977 "Snake" Plissken, an elusive outlaw, is sent to the huge penal colony of New York in order to rescue the President of the U.S
Between the escalation of World War III and being Number One on America's most wanted list, Snake Plissken jumps borders and finds himself in the seceded nation of Florida.
New story arc! Snake is hellbent on revenge and returns to where it all started-the New York City prison!
Snake's on the run with a ton of cash, but a member of his crew has sold them out.
Snake prepares to defend his property from the government at any cost.
It was one of the biggest crime stories of the decade - two deadly killers, desperate and on the run.
It’s been 12 years, and the government still won’t leave Snake Plissken alone.