How were racial issues and relationships portrayed, surmounted, influenced, and understood in the 19th and early 20th century theater?
The essays in this collection were selected from among papers delivered at the April 2002 Southeastern Theatre Conference s annual symposium held at Elon University in North Carolina. They address issues of race and ethnicity on the southern stage, in plays about the South, and in public performances, including minstrel shows, vaudeville, melodrama, puppetry, folk dramas, musical, social realism, and the public theaters of criminal justice and political propaganda. The period from the late 18th century to the 1930s forms the historical framework in which the impact of race and its intersections with gender, class, and political ideology are examined.
The essays fall into three different sections: "Playing with Stereotypes," "Politics and Public Spectacle," and "Artists and Audiences." From Jessica Hester s "What s a Poor Girl to Do: Poverty, Whiteness, and Femininity on the Carolina Playmakers Stage" to John Poole's "Rufflin' and Rumblin' in the Dark: Audience Dynamics in the 'Buzzard Roost' of the Segregated South," we get a broad sampling of the issues of race that influenced, and were influenced by, southern theater.
One essay contributed by Eddie Bradley of Spelman College excerpts his play An Evening with Ira Aldridge, which was read and discussed at the
symposium. The closing remarks made by Marvin Sims, president of the Black Theatre Network, who served as respondent to the symposium proceedings, are also included. Collectively, the essays of this volume serve as catalyst for further investigation, discussion, and discovery of a crucial aspect of American theater.
Edward Hudlin maintains that the book follows very closely the structure of the heroic myth as outlined by Joseph Campbell ... Carol Pearson and Katherine Pope look at Dorothy's adventures from a mythological and feminist perspective.19 ...
Cf. Ach. 849; Av. 8o0 on 6é koshiyo ye okóðtov d'Irote TuApévo ('and you [resemble] a blackbird plucked in a bowl-cut'; not a flattering description); Eup. fr. 313. 2 with K-A ad loc.; Hermipp. fr. 13; Poll. ii. 29; Pearson on S. fr.
Follows the fates of Hecuba, Andromache, Cassandra and the other women of Troy after their city has been sacked, their husbands killed, and their remaining families about to be taken away as slaves (it runs parallel to the events in ...
And one actor and one actress play all 10 characters. This is Ayckbourn's most unusual look yet at the foibles of middle class living.1 woman, 1 man
Henrik Ibsen Plays : Three Rosmersholm , The Lady from the Sea , Little Eyolf This is the third volume of a six - volume collection presenting all of Ibsen's famous prose plays written in the twenty - five years from 1875 to the end of ...
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Camp is a tender feeling Susan Sontag , “ Notes on Camp ” I personally think , that if you're a queer girl , you better have a damn good sense of humor , otherwise you're gonna get shit on a lot more . Marnie , age 17 Most of the queer ...
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本书收录了《错误的喜剧》、《爱的徒劳》、《罗密欧与朱丽叶》、《理查二世的悲剧》、《温莎的风流娘儿们》、《裘力斯·凯撒》、《皆大喜欢》、《第十二夜》等13个莎士比亚 ...
"Stewart Parker was a playwright whose sense of history and elegance of wit and feeling were unusual in the British Theatre" (Observer) This volume includes three of Stewart Parker's most striking plays - Northern Star: 'Only an Irishman ...