Makes a case for innovation as the generative and thematic force in American poetry of the late 20th century. Syncopations is an analysis of the sustaining vitality behind contemporary American poetry from 1975 to the present day by one of the most astute observers and critics in the field. The 12 essays reflect Jed Rasula's nearly 30 years of advocacy on behalf of "opening the field" of American poetry. From the Beats and the Black Mountain poets in the 1950s and 1960s to the impact of language poetry, the specter of an avant-garde has haunted the administrative centers of poetic conservatism. But the very concept of avant-garde is misleading, implying organized assault. Incentives for change can be traced to other factors, including the increased participation of women, critical theory's self-reflection, and a growing interest in the book as a unit of composition. Syncopations addresses these and other issues evident in the work of such poets and critics as Clayton Eshleman, Marjorie Perloff, Ronald Johnson, Clark Coolidge, Nathaniel Mackey, and Robin Blaser. Its chapters range in modes and include close readings, sociological analysis, philosophical-aesthetic meditations, and career appraisals. By examining both exemplary innovators and the social context in which innovation is either resisted, acclaimed, or taken for granted, Rasula delivers an important conceptual chronicle of the promise of American poetry.
This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it.
This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it.
This volume teaches five different ways to play eight pages from Progressive Steps to Syncopation for the Modern Drummer. There are five sections, each consisting of the eight solo exercises.
Includes practice tips, rhythm exercises, beginning music theory, and a CD demonstrating all the examples in the book. 64 pages.
Never before has there been such an in-depth presentation of the topic. If you want to develop greater skill in reading syncopation, this exceptional book is a must in the library of any serious drummer.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations.
Syncopation for Drums
"Elite Syncopations" ragtime by Scott Joplin, transcribed for Clarinet Quartet by Francesco Leone (intermediate level).
"Elite Syncopations" ragtime by Scott Joplin, transcribed for Clarinet Quartet by Francesco Leone (intermediate level). Score: Bb Clarinets1-3 and bass. Audio demo available on www.glissato.it -
"Elite Syncopations" ragtime by Scott Joplin, transcribed for Flute Quartet by Francesco Leone (intermediate level). Set of parts (5) : C Flutes 1-4 + G alto instead Flute 4. Audio demo available on www.glissato.it -