In Nature Knows No Color-Line, originally published in 1952, historian Joel Augustus Rogers examines the origins of racial hierarchy and the color problem. Rogers was a humanist who believed that there were no scientifically evident racial divisions—all humans belong to one “race.” He believed that color prejudice generally evolved from issues of domination and power between two physiologically different groups. According to Rogers, color prejudice was then used a rationale for domination, subjugation and warfare. Societies developed myths and prejudices in order to pursue their own interests at the expense of other groups. This book argues that many instances of the contributions of black people had been left out of the history books, and gives many examples.
"Where did you learn French-in New Orleans?" “I began it in college and learnt it in France," ... “Studying?” "No, sir. I was Spanish correspondent for Simon and Co., wine merchants.” “You speak Spanish, too, eh? What are you, Cuban?
Originally published in 1959 and revised and expanded in 1989, this book asserts that Africans had contributed more to the world than was previously acknowledged.
This volume contains a study on the living conditions for African Americans in the United States in the first decade of the 1900s.
First published in 1934 and revised in 1962, this book gathers journalist and historian Joel Augustus Rogers’ columns from the syndicated newspaper feature titled Your History.
A Tribute for the Negro: Being a Vindication of the Moral, Intellectual, and Religious Capabilities of the Coloured Portion of Mankind; with Particular Reference to the African Race Authored by...
Nature Knows No Color-Line: Research Into the Negro Ancestory in the White Race
" Rogers surmised that a large percentage of ethnic differences are the result of sociological factors and in these volumes he gathered what he called "the bran of history"—the uncollected, unexamined history of black people—in the hope ...
A study of issues of race in 19th century America.
Image of the Black in Western Art
Gerald tells of the very unusual animals he would add to the zoo, if he were in charge.