Although he was the first African American fighter pilot, Eugene J. Bullard is still a relative stranger in his homeland. An accomplished professional boxer, musician, club manager, and impresario of Parisian nightlife between the world wars, Bullard found in Europe a degree of respect and freedom unknown to blacks in America. There, for twenty-five years, he helped define the expatriate experience for countless other African American artists, writers, performers, and athletes. This is the first biography of Bullard in thirty years and the most complete ever. It follows Bullard's lifelong search for respect from his poor boyhood in Jim-Crow Georgia to his attainment of notoriety in Jazz-Age Paris and his exploits fighting for his adopted country, for which he was awarded the Croix de Guerre. Drawing on a vast amount of archival material in the United States, Great Britain, and France, Craig Lloyd unfolds the vibrant story of an African American who sought freedom overseas. Lloyd provides a new look at the black expatriate community in Paris, taking readers into the cabarets where Bullard rubbed elbows with Josephine Baker, Louis Armstrong, and even the Prince of Wales. Lloyd also uses Bullard's life as a lens through which to view the racism that continued to dog him even in Europe in his encounters with traveling Americans. When Hitler conquered France, Bullard was wounded in action and then escaped to America. There, his European successes counted for little: he spent his last years in obscurity and hardship but continued to work for racial justice. Eugene Bullard, Black Expatriate in Jazz-Age Paris offers a fascinating look at an extraordinary man who lived on his own terms and adds a new facet to our understanding of the black diaspora.
This fast-paced and informative YA biography tells the story of pioneering black aviator Eugene Bullard from his birth in 1895 to his combat experiences in both World War I and II and, finally, the prejudice he faced on his return to ...
A revealing look at the Paris in the prewar period sheds light on the community of African-American artists and musicians who found an oasis of relative freedom and prosperty in the French city.
Another notable who became a regular at Le Grand Duc was the songwriter and former Barron's patron Cole Porter. He, too, had wealthy and influential friends, and where Porter went, they followed. Porter owned a home in Paris and spent ...
In this rich collection of essays, cultural and political commentary, and personal "race stories," an African American runaway of a certain age and wiseass perspective takes aim at America in its twilight-the Donald Trump years.
Renowned journalist Charles Glass tells the story of a remarkable cast of five thousand expatriates--artists, writers, scientists, playboys, musicians, cultural mandarins, and ordinary businessmen--and their struggles in Nazi Paris.
The dance the Charleston was her entrée, though, into Cole Porter's rarefied world in the 1920s. As she remembers, “I have to give the Charleston the credit it deserves for launching me on my career as a saloonkeeper.
InJune 1919, when Wilson was in Paris for the Paris Peace Conference, Trepionok wrote to Mrs. Wilson that as her husband was doing ... Trepionok nonetheless continued insistently to hope that the US government would right his wrong.
Further Reading: Peabody, Sue, and Keila Grinberg, eds. Slavery, Freedom and the Law in the Atlantic World: A Brief History with Documents. Boston: Bedford/St. Martin's, 2007. Sue Peabody ...
James B. Martin. which nearly brought a court-martial, occurred in Paris while Bullard was on a 24- hour pass. He climbed on board a troop truck to catch a lift back to his unit, only to be kicked by a French soldier who said to him ...
DIVA history of jazz in interwar France, concentrating on the ways this originally American music was integrated into French culture./div ldquo;A history that reads like a good story, this new book by Jeffrey H. Jackson illumines the ...