“We're seeing people that we didn't know exist,” the director of FEMA acknowledged in the wake of Hurricane Katrina. Sacral Grooves, Limbo Gateways offers a corrective to some of America's institutionalized invisibilities by delving into the submerged networks of ritual performance, writing, intercultural history, and migration that have linked the coastal U.S. South with the Caribbean and the wider Atlantic world. This interdisciplinary study slips beneath the bar of rigid national and literary periods, embarking upon deeper—more rhythmic and embodied—signatures of time. It swings low through ecologies and symbolic orders of creolized space. And it reappraises pluralistic modes of knowledge, kinship, and authority that have sustained vital forms of agency (such as jazz) amid abysses of racialized trauma. Drawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santería, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Turning to an orphan girl's West African initiation tale to follow a remarkably traveled body of feminine rites and writing (in works by Paule Marshall, Zora Neale Hurston, Lydia Cabrera, William Faulkner, James Weldon Johnson, and LeAnne Howe, among others), Cartwright argues that only in holistic form, emergent from gulfs of cross-cultural witness, can literary and humanistic authority find legitimacy. Without such grounding, he contends, our educational institutions blind and even poison students, bringing them to “swallow lye,” like the grandson of Phoenix Jackson in Eudora Welty's “A Worn Path.” Here, literary study may open pathways to alternative medicines—fetched by tenacious avatars like Phoenix (or an orphan Kumba or a shell-shaking Turtle)—to remedy the lies our partial histories have made us swallow.
The New Southern Studies The Nation's Region: Southern Modernism, Segregation, and U.S. Nationalism by Leigh Anne Duck ... by Harriet Pollack Keywords for Southern Studies edited by Scott Romine and Jennifer Rae Greeson The Southern ...
This book is termed 'critical' because the essays in it are pertinent to modern life beyond the world of 'southern studies.
This book celebrates and illuminates the poetry and prose of Brenda Marie Osbey.
... Jennifer 251 Morrison, Toni 211-12, 347n.32, 352n.59 Moses, Robert 41-2 Moten, Fred 243-4, 264-5 motion pictures. ... an American Slave (Douglass) 216 Nash, Paul 359n.22 National Labor Relations Board 332n.93 nationalism 7-8, 12-13, ...
... Finding Purple America: The South and the Future of American Cultural Studies by Jon Smith The Signifying Eye: Seeing Faulkner's Art by Candace Waid Sacral Grooves/Limbo Gateways: Travels in Deep Southern Time, Circum-Caribbean Space,
—VALERIE MARTIN, A Recent Martyr (1987), 204 By the end of Valerie Martin's novel A Recent Martyr, the narrator has survived a number of disasters both large and small: a dead-end job, an unhappy marriage, a sadomasochistic relationship ...
Sacral Grooves, Limbo Gateways: Travels in Deep Southern Time, Circum-Caribbean Space, Afro-Creole Authority. Athens: University of Georgia Press, 2013. Chambers, Jonathan L. Messiah of the New Technique: John Howard Lawson, Communism, ...
... Resistance in Fiction by Women of Color (2012); Keith Cartwright's Sacral Grooves, Limbo Gateways: Travels in Deep Southern Time, Circum-Caribbean Space, Afro-creole Authority (2013); Padraig Kirwan's Sovereign Stories: Aesthetics, ...
He is the author of Sacral Grooves, Limbo Gateways: Travels in Deep Southern Time, Circum-Caribbean Space, Afro-Creole Authority (University of Georgia Press, 2013) and Reading Africa into American Literature (The University ...
Berkeley: University of California Press, 2002. McClintock, Anne. Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest. New York: Routledge, 1995. McDonald, Kamila. “Skin Bleaching and the Dancehall.