Before he joined the staff of Punch and designed its iconic front cover, illustrator Richard “Dicky” Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof. This volume collects the fifty-three illustrated missives in their entirety for the first time and provides an uncommon peek into the intimate but expansive observations of a precocious social commentator and artist. In a series of vivid manuscript canvases, Doyle observes Victorian customs and society. He visits operas, plays, and parades. He watches the queen visiting the House of Commons and witnesses the state funeral of the Duke of Sussex. He is caught up in the Chartist riots of August 1842 and is robbed during one of the melees. And he provides countless illustrations of ordinary people strolling in the streets and swarming the parks and picture galleries of the metropolis. The sketches offer a fresh perspective on major social and cultural events of London during the early 1840s by a keen observer not yet twenty years old. Doyle’s epistles anticipate the modern comic strip and the graphic novel, especially in their experimentation with sequential narrative and their ingenious use of space. The letters are accompanied by a full biographical and critical introduction with new material about Doyle’s life.
... 1843. 17 ADM 51/3734, NA. 18 The Times, 24 August 1843; Spectator, 26 August 1843. 19 House of Lords Debates, 7 August ... The Illustrated Letters of Richard Doyle to His Father, 1842–1843, 289. 25 The Times, 28, 29, 30 August, 6, 13, 19 ...
... his six pictorial novels, each part of an evolving experiment in a new form of visual narrative that offers a keen ... The Illustrated Letters of Richard Doyle to His Father, 1842–1843 (2016), and co-edited, with Sue Brown, New Letters ...
This volume provides frameworks for enhanced analysis and appreciation of Keats and his work, with each chapter supplying a succinct, informed, and accessible account of a particular topic.
Those aspects of gendered capital give Marina a certain power and allow her to network to a suitable husband; they are her key into a new social circle above her own. Brontë points out that her social position would be beneath Albion's, ...
Vera Mazzotta, Stefano Guerra. 361. A Journal Kept by Richard Doyle in the Year 1840. 362. Doyle R, The Illustrated Letters of Richard Doyle to His Father, 1842–1843. 363. Adelaide Doyle, la minore dei fratelli Doyle, morì di tisi nel ...
Leven en werk van de Engelse illustrator Richard Doyle (1824-1883).
In the "Advertisement to the First Edition," which prefaces it, it is called a fairy tale, one, it might be added, that illustrates the triumph of love, kindness, and goodness over evil; however, it could also be characterized as a fable, a ...
The King of the Golden River (1851) by John Ruskin; Illustrated by Richard Doyle.
The Illustrators: The British Art of Illustration, 1780-1996
These stories give expression to a universal hunch that we live among ghosts.