Using the works of Dante as its critical focus, María Rosa Menocal’s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations. Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante’s own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante’s Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.
Franke reads the Divine Comedy through the insights into interpretation developed by hermeneutics, and at the same time uses Dante's poem, with its interpretive praxis based on a theological vision, to challenge prevailing assumptions about ...
Chapter 2 discussed the danger (to both the pilgrim and to the reader of the poem) of succumbing to either of two extremes of infernal interpretive temptation: (1) a heretical, overly active interpretation (typified by both the ...
XVIII, 113): Archetipo di poliunivoca concordanza,” in Atti del Congresso Internazionale di Studi Danteschi (20–27 aprile 1965), vol. II (Florence: Sansoni, 1966), 237–254 table I. Cf. Battaglia Ricci, “Con parole e con segni,” 19.
(5) Bieltate appare in saggia donna pui, che piace a gli occhi sì, che dentro al core nasce un disio de la cosa piacente; e tanto dura talora in costui, che fa svegliar lo spirito d'Amore. E simil face in donna omo valente.
To readers who view secrecy as a writerly virtue, the central pattern might well appear to be evidence of a brilliantly executed reticence: in the Vita nuova, Dante strives for From Mismapping the Underworld: Daring and Error in Dante's ...
Buffière, Félix. Les Mythes d'Homere et la pensée grecque. 1956. 2d ed. Paris: “Les Belles Lettres,” 1973. Burmeister, Hans-Peter. Kunst als Protest und Widerstand: Untersuchungen zum Kunstbegriff bei Peter Weiss und Alexander Kluge.
Indeed , in the last years of the thirteenth century , Dante and the other practitioners of the " dolce stil novo " seem to me nothing less than theorists of the aesthetic . By emphasizing the marriage of matter and spirit ...
The poet as fabbro In a mythological context, Scève, like Dante, presents the poet using imagery of a smith, a forger, a maker; here the poet's heart and body contain the forge: Quand Titan a sué le long du jour, Courant au sein de sa ...
L'Ottimo Commento della 'Divina Commedia' di un contemporaneo di Dante. Ed. Alessandro Torri. 3 vols. Pisa: Capurro, 1927–9. Ovid. Ovid's Poetry of Exile. Ed. and trans. D. Slavitt. Baltimore: Johns Hopkins University Press, 1990.
... three helpful for reading and commenting on ancient authors. Boccaccio mentions them often – especially the third, which ... Medieval Mythography. Volume 3: The Emergence of Italian Humanism, 1321–1475. Gainesville: University of Florida ...