This volume provides a first-hand survey of the arts and literature during a crucial period in modern culture, 1915–1924. Pound was then associated with such germinal magazines as BLAST, The Little Review, The Egoist, and Poetry; he was discovering or publicizing writers such as Robert Frost, Hilda Doolittle, T. S. Eliot, and James Joyce; and he was championing the painters Wyndham Lewis and William Wadsworth as well as the sculptors Jacob Epstein, Henri Gaudier-Brzeska, and Constantin Brancusi. Pound wrote to John Quinn—a New York lawyer, an expert in business law, and a collector of unusual taste and discrimination—about these artists and many more, urging him to support their journals, collect their manuscripts, and buy and exhibit their paintings and sculptures. Quinn at one time owned manuscripts of Ulysses and The Waste Land, Brancusi’s sculpture Mlle. Pogany, and Picasso’s painting Three Musicians. Yet he was often skeptical about the value of new schools of art, such as Vorticism, and disturbed by the outspokenness of authors such as Joyce. Pound’s letters are unusually tactful when he counters Quinn’s doubts and explains the premises of experimental art. Pound’s letters to Quinn are touched with his characteristic humor and wordplay and are especially notable for their lucidity of expression, engendered by Pound’s deep respect for Quinn.
This volume provides a first-hand survey of the arts and literature during a crucial period in modern culture, 1915-1924.
Originally published in 1950 under title: The letters of Ezra Pound, 1907-1941.
Building on a term originally coined by Albert Murray,23 Joel Dinerstein describes such processes in African American cultural production as 'locomotive onomatopoeia'. In blues and swing music in particular, this technique articulates ...
One Cash Register, 241 United States v. ... H. G., 118–19, 142, 188 Weston, Jessie L., 303 n.156 W. E. Tunis (bookseller and publisher), 46 White, Vanna, 227 Whitman, Walt, 25, 141 Wilde, Oscar, 26, 91, 103, 213 American tour, 11, 26, ...
Ezra Pound to John Quinn, 29 February 1916, The Selected Letters of Ezra Pound to John Quinn, 1915–1924, ed. Timothy Materer (Durham, NC, and London: Duke University Press, 1991), pp. 62–5. 88. Ezra Pound, 'The Vortographs', ...
American Nature, Modernist Poetry, and the Problem of Cultural Hygiene Robin G. Schulze ... Wolfe, The Limits of American Literary Ideology in Pound and Emerson, 185–200. Ronald Bush, “Pound, Emerson, and Thoreau: The Pisan Cantos and ...
During the 1950s , critical appreciation for those achievements began to appear . Kenner's The Poetry of Ezra Pound ( 1951 ) broke new ground in making Pound the subject of serious academic scholarship . This lead was picked up by ...
... 1957) Pound's Published Correspondence and Radio Speeches Barry Ahearn, ed., Pound / Zukofsky: Selected Letters of Ezra ... John Quinn, 1915–1924 (Durham, nc: Duke up, 1991) Nadel, Ira B., ed., Letters ofEzra Pound to Alice Corbin ...
they lived for six years in a log cabin on the property of her mother's aunt , Joanna Lavery . Her father struggled to become a farmer , but did not prosper . Farming was not an easy task in Adirondack soil — what there was of it .
David M. Gordon (New York: Norton, 1994) The Selected Letters of Ezra Pound to John Quinn: 1915–1924, ed. Timothy Materer (Durham, NC: Duke University Press, 1991) Ezra Pound/John Theobald Letters, ed. Donald Pearce and Herbert ...