An overview of film studies
Barry Langford explains and interrogates the concept of "e;post-classical"e; Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present ...
Drawing on a wide range of films from the 1920s to the 1990s--from Keaton's Our Hospitality to Casablanca to Terminator 2, Kristin Thompson offers the first in-depth analysis of Hollywood's storytelling techniques and how they are used to ...
Editing: Alyson Shaffer. Cast: Wallace Beery, Richard Arlen, Louise Brooks. BLACK HAND. 1949. ... Cast: Dean Martin, Jerry Lewis, Donna Reed. THE CANTERVILLE GHOST. 1944. Production/distributor: MGM. Direction: Jules Dassin.
This work presents a timely theoretical intervention in the analysis of contemporary film language. It has a truly international scope, featuring films and filmmakers from around the world.
Like Alberti's windowpane, the proscenium frontispiece finally closed off the spectator from the world of the narrative action. If the Italian theater thus became truly a “seeing place,” around whose vantage point was the spectacle to ...
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Applies the recent `return to history' in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.
Cinematic Flashes challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame.
Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, ...
W. e begin with thiS chapter'S central queStion: how doeS ideology relate to aesthetic pleasure? We may not think of ideology as an aesthetic property of an artwork since we might discuss an artwork's ideology without ever considering ...