In Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.
Freak Performances examines the continuing effects of colonialism on modern Latin American identities, with a particular focus on the way it has constructed the body of the other through performance.
18 See , e.g. , Petersen ( 1966 ) ; and " Success Story of One Minority in the U.S. " ( 1966 ) . 19 Fora more detailed discussion of the contradictions inherent in model minority discourse , as well as the measures by which " success ...
25 Susan Stewart, Poetry and the Fate of the Senses (Chicago: University of Chicago Press, 2002), 20. 26 William Hogarth, Analysis of Beauty, quoted in Stewart, Poetry and the Fate of the Senses, 24. 27 On white structural attempts at ...
Stand-Up Comedy in Theory, or, Abjection in America is the first study of stand-up comedy as a form of art.
Fanon, Frantz. 1967. [1952]. Black Skin, White Masks. 1952. Translated by Charles Lam Markmann. New York: Grove Press. Felps, Paula. 1999. ''One Woman's Fury: Arlington Artist Uses New works cited 357.
Translated by Robert Hurley. New York: Vintage, 1990. ———. The History of Sexuality, Vol. 3: The Care of the Self. Translated by Robert Hurley. New York: Vintage, 1988. ———. Power/Knowledge: Selected Interviews and Other ...
The most comprehensive volume on performance art from the Americas to have appeared in English, Corpus Delecti is a unique collection of historical and critical studies of contemporary Latin performance.
Essay
The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive ...
They are the heads of Hu Die (aka Butterfly Wu), flanked by butterfly wings; Chen Yanyan (literally Swallow Chen), on a bird body perched on a branch; Tan Ying, trailing a snake body; and Wang Renmei, with a prowling feline body.