In this audacious book, Ana María Ochoa Gautier explores how listening has been central to the production of notions of language, music, voice, and sound that determine the politics of life. Drawing primarily from nineteenth-century Colombian sources, Ochoa Gautier locates sounds produced by different living entities at the juncture of the human and nonhuman. Her "acoustically tuned" analysis of a wide array of texts reveals multiple debates on the nature of the aural. These discussions were central to a politics of the voice harnessed in the service of the production of different notions of personhood and belonging. In Ochoa Gautier's groundbreaking work, Latin America and the Caribbean emerge as a historical site where the politics of life and the politics of expression inextricably entangle the musical and the linguistic, knowledge and the sensorial.
Leo Braudy and Marshall Cohen. New York: Oxford University Press. Nancy, Jean-Luc. 2007. Listening, trans. Charlotte Mandell. New York: Fordham University Press. Ovadija, Mladen. 2013. Dramaturgy of Sound in the Avant-garde and ...
Hearing has traditionally been regarded as the second sense -- as somehow lessrational and less modern than the first sense, sight.
A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in ...
These original essays mean to provoke rather than reassure, to challenge rather than codify.
... aurality.23 the concept of aurality has emerged from sound studies' interest in listening practices.24 Here, I build on Jairo Moreno's work to consider aurality beyond listening. Moreno defines aurality as an “intersensory, affective ...
... aurality , what made aurality unique , as opposed to literacy , was the social presence it gave to the written texts . The social life of the acoustic in the Lisu practice of aurality is achieved through the cycle of production and ...
In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality.
conventional semiosis but retains all of the powers associated with voice. Indeed, at the end of the passage, Moses fully realizes voice's performative potential upon receiving a divine infusion of breath. The prophet derives authority ...
This book considers both the testing of hearing and testing with hearing to explore the co-creation of modern epistemic and auditory cultures.
See O. Newman, Defensible Space: Crime Prevention through Urban Design (New York: Macmillan, 1972). For key accounts of the ambitions and rhetoric of the new urbanist movement, see Charter of the New Urbanism, ed.