In Landscape with Human Figure, his fourth and most compelling collection of poetry, Rafael Campo confirms his status as one of America’s most important poets. Like his predecessor William Carlos Williams, who was also a physician, Campo plumbs the depths of our capacity for empathy. Campo writes stunning, candid poems from outside the academy, poems that arise with equal beauty from a bleak Boston tenement or a moonlit Spanish plaza, poems that remain unafraid to explore and to celebrate his identity as a doctor and Cuban American gay man. Yet no matter what their unexpected and inspired sources, Campo’s poems insistently remind us of the necessity of poetry itself in our increasingly fractured society; his writing brings us together—just as did the incantations of humankind’s earliest healers—into the warm circle of community and connectedness. In this heart-wrenching, haunting, and ultimately humane work, Rafael Campo has painted as if in blood and breath a gorgeously complex world, in which every one of us can be found.
Olorgesailie Olorgesailie lies in the centre of a 60km-wide rift floor adjacent to a palaeo-lake (Figure 1). Numerous Acheulean artefacts, fossil mammals including elephant, hippo, giant baboon, equids and bovids with evidence of ...
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The most powerful of these interactions between the human figure and the landscape is provided by Antonioni's fascination with those desolate spaces that have the power to evoke deep unease or catharsis. Even his earliest and now ...
Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This essential companion book to the bestselling Classic Human Anatomy provides artists and art students with a deeper understanding of human anatomy and different types of motion, inspiring more realistic and energetic figurative art.
We are particularly interested in Karen Knorr's work for the importance she gives to captions in her photographs. In an interview with António Guzman in 1989, she says that she prefers the French term “légende”, ...