Build on the techniques of the great abstract artists to create their own innovative new work. Clear, comprehensible sections let artists focus quickly on their specific areas of interest. The first section, on Traditional Painterly Abstraction, using brush and easel, looks at pictorial space, brushwork, paint quality, and college. The second section, on Post-Painterly Modern Abstraction, considers options ranging from the pour-and-spatter techniques of Jackson Pollock to the staining, scraping, and abrading of modern acrylic artists. Step-by-step recipes for key approaches show artists how to get the best aesthetic results.
An exhibition of new richly colored, intimately-scaled paintings by Thomas Nozkowski.0Exhibition: Pace Gallery, NYC, USA (22.2.-23.3.2013).
John Tunnard: A Retrospective: Grey College 29 September -22 October 2000
Charmion Von Wiegand: Improvisations, 1945 : September 9-November 1, 2003
Mary Heilmann: To be Someone
The Art of Esteban Lisa
Richard Smith: paintings 2001
Michael Forster, 1907-2002: The Return to England: Abstracts and Landscapes from 1975 Onwards
Michael Johnson: Paintings 1968-1986
Présentation de l'oeuvre du peintre chinois Wang Yan Cheng à travers une centaine de ses toiles. L'héritage calligraphique et la tradition occidentale s'interpénètrent dans son oeuvre exprimant la nature cosmique et universelle.
Karl Benjamin and the Evolution of Abstraction, 1950-1980: September 24-December 24, 2011