Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an archive of ante- and postbellum literary slave narratives as well as contemporary visual art, Janet Neary brings visual and performance theory to bear on the genre’s central problematic: that the ex-slave narrator must be both object and subject of his or her own testimony. Taking works by current-day visual artists, including Glenn Ligon, Kara Walker, and Ellen Driscoll, Neary employs their representational strategies to decode the visual work performed in nineteenth-century literary narratives by Elizabeth Keckley, Solomon Northup, William Craft, Henry Box Brown, and others. She focuses on the textual visuality of these narratives to illustrate how their authors use the logic of the slave narrative against itself as a way to undermine the epistemology of the genre and to offer a model of visuality as intersubjective recognition rather than objective division.
Fugitive Testimony: On the Visual Logic of Slave Narratives
I was not at the trial when the jury found me guilty and the judge sentenced me. They issued a federal warrant for flight to avoid prosecution and I spent the next 10 years as a fugitive with law enforcement in hot pursuit.
... John, 20–22 Davis, Samuel, 236–240, 281 Dayton, Anson, 233–235 Death penalty, for treason, 67, 76 DeBree, John, 137, 143–144 Declaration ofRights (Massachusetts), 132–133 Declaration ofthe Immediate Causes Which Induce and Justify ...
... fugitive was nobler . For homework , we assigned the stu- dents to review the testimonies for specific passages in which the women ana- lyzed their dilemmas and explained their choices in their own words . As a starting point , we ...
Thank you also to Dee Stewart, Marina Woods, and GoodGirlBookclubonline.com, Tia Ross and the Black Writers Alliance, Shana Adams and the Durham Arts Council, Ella Curry and Black Pearls, Linda Beed, Yango Sawyer ...
Speech of Hon. Stephen A. Douglas on the "measures of Adjustment": Delivered in the City Hall, Chicago, October 23, 1850
... testimony of five disinterested , unbiased white witnesses as merely bal- anced by that of one person who was very strongly biased against the prisoner , and whose testimony had been broken down wherever it was possible to test it . By ...
This volume situates Denmark Vesey and antislavery rebellion within the current scholarship on abolition that places Black activists at the center of the story.
In the conclusion, “Staying Quiet,” I aim to spell out how the quiet testimony of the nineteenth century, taken as a whole, might provide a model for more contemporary thinking about bearing witness. Instead of assuming that testimony ...