One of the most influential artists working in the genre of ukiyo-e (pictures of the floating world) in late-eighteenth-century Japan, Kitagawa Utamaro (1753?-1806) was widely appreciated for his prints of beautiful women. In images showing courtesans, geisha, housewives, and others, Utamaro made the practice of distinguishing social types into a connoisseurial art. In 1804, at the height of his success, Utamaro, along with several colleagues, was manacled and put under house arrest for fifty days for making prints of the military ruler Toyotomi Hideyoshi enjoying the pleasures of the floating world. The event put into stark relief the challenge that popular representation posed to political authority and, according to some sources, may have precipitated Utamaro's sudden decline.
In this book Julie Nelson Davis makes a close study of selected print sets, and by drawing on a wide range of period sources reinterprets Utamaro in the context of his times. Reconstructing the place of the ukiyo-e artist within the world of the commercial print market, she demonstrates how Utamaro's images participated in the economies of entertainment and desire in the city of Edo (modern-day Tokyo).
Offering a new approach to issues of the status of the artist and the construction of identity, gender, sexuality, and celebrity in the Edo period, Utamaro and the Spectacle of Beauty is a significant contribution to the field and a key work for readers interested in Japanese art and culture.
... Copying the Master and Stealing His Secrets, 31–59. Jordan, Brenda g., and Victoria Weston, eds. Copying the Master and Stealing His Secrets: Talent and Training in Japanese Painting. Honolulu: University of Hawai'i Press, 2003. Keene ...
First English publication of all four of Sekien's masterworks: The Illustrated Demons' Night Parade, More Illustrated Demons from Past and Present, Even More Demons from Past and Present, and An Idle Horde of Things.
Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- ...
The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production"--
Employing a philosopher's mind and an artist's eye, Banerjee takes us to still places in a moving world, the place where two rivers (do ab) meet and forests write themselves into history.
Like the collection of meibutsu, or "famous objects," exchanging hostages, collecting heads, and commanding massive armies were part of a strategy Pitelka calls "spectacular accumulation," which profoundly affected the creation and ...
The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production"--
The colour woodblock prints of Kitagawa Utamaro (1753?-1806) have all the ingredients of an up-to-date urbane art, from contemporary chic to scandalous glamour.
See Edwards, Modern Japan through Its Weddings, 107. 24. Ema, Kekkon no rekishi, 137. 25. Ise, Teijö zakki, 1:23. 26. Ibid. 27. Namura, Onna chöhöki, 31. 28. Ibid. 29. Ibid. 30. Yoshikawa Keizö, ed., Koji ruien: Reishikibu (Tokyo: ...
8. Morris Hicky Morgan, trans., Vitruvius: The Ten Books on Architecture (Cambridge, MA: Harvard University Press, 1914), 210. ... the Development of Architecture from Charlemagne to Henry VIII, given at the Lowell Institute, Boston, ...