The Family of Man, a photography exhibit curated by Edward Steichen, opened at the Museum of Modern Art in 1955. More people saw that exhibit than any other show of photographs before or since, and the book remains in print to this day. Eric Sandeen presents here the first in-depth study of the exhibit and its influence worldwide. He examines how the exhibit came to be assembled, the beliefs and background Edward Steichen brought to the project, and what he wanted to show about the human condition from his selection of images. He then looks at the politics and culture of the 1950s to determine why the show was so popular at the time. When the United States Information Agency toured the photographs throughout the world in five different versions for seven years, The Family of Man became a projection of American values and the culture of abundance and an American representation of universal values. The richness and historical complexity of this exhibit have been overlooked, especially in the post-Vietnam decades, as critics have been quick to dismiss it as sentimental. In the context of Steichen's text, the exhibit was an appeal to the emotions, designed to move viewers to cross the ideological barriers of the Cold War. The Family of Man was prominently displayed at the American Exhibition in Moscow in 1959. Sandeen shows the exhibit to be a great deal more than a compendium of beautiful but unchallenging photographs. He also unfolds its multilayered relationship with and reflection of the values of postwar America.
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Anthologies of photographs are indexed by photographer, subject, and named individuals in portraits.
The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the ...
Gwendolyn Brooks won the Pulitzer Prize . Charlie Parker was already affectionately known as “ Bird . ” Black artists of the 1950s produced works that hovered between Abstract Expressionism and Social Realism .
"Published in conjunction with the exhibition 'Street level: Mark Bradford, William Cordova and Robin Rhode', Nasher Museum of Art at Duke University, March 29-July 29, 2007"--T.p. verso.
Discusses the history of American glass manufacturing
尼可拉斯•莫則夫 (Nicholas Mirzoeff). 爾貝的政治參與以及大眾媒體對其繪畫的影響,主張大眾藝術顯現出「一個社會局勢的本質」。就像帕克和波洛克的論著的情形,克拉克的觀念如今如此地廣受採納,以至於很難領略當他的著作《人民的形像》(The Image ofthe ...
In the Greek port of Piraeus, there is a small tramp steamer moored at the dock. The Ionion's cargo decks are laden with the works of the Italian artist Jannis Kounellis, born in Piraeus in 1936.
This complete and easy-to-follow introduction to Adobe Photoshop Elements has been updated throughout to show all the new features of version 3.0 including Photo Browser, Quick Fix Editor, Photo Creations...
Copyright © 1960 and 1966 by George Seldes , Lyle Stuart , inc Annalen der Physic Albert Einstein , 1905 , from The Great Quotations , compiled by George Seldes Copyright © 1960 and 1966 by George Seldes , Lyle Stuart , Inc India News ...