Exploring the Yoruba tradition in the United States, Hucks begins with the story of Nana Oseijeman Adefunmi’s personal search for identity and meaning as a young man in Detroit in the 1930s and 1940s. She traces his development as an artist, religious leader, and founder of several African-influenced religio-cultural projects in Harlem and later in the South. Adefunmi was part of a generation of young migrants attracted to the bohemian lifestyle of New York City and the black nationalist fervor of Harlem. Cofounding Shango Temple in 1959, Yoruba Temple in 1960, and Oyotunji African Village in 1970, Adefunmi and other African Americans in that period renamed themselves “Yorubas” and engaged in the task of transforming Cuban Santer'a into a new religious expression that satisfied their racial and nationalist leanings and eventually helped to place African Americans on a global religious schema alongside other Yoruba practitioners in Africa and the diaspora. Alongside the story of Adefunmi, Hucks weaves historical and sociological analyses of the relationship between black cultural nationalism and reinterpretations of the meaning of Africa from within the African American community.
Tracey E. Hucks traces the history of the repression of Obeah practitioners in colonial Trinidad.
This book explores the emergence of Òrìsà devotion as a world religion, one of the most remarkable and compelling developments in the history of the human religious quest.
John Dixon Long, Pictures of Slavery in Church and State; Including Personal Reminiscences, Biographical Sketches, Anecdotes, etc., etc.: With an appendix, Contains the views of John Wesley and Richard Watson on slavery ...
Mapping Yorùbá Networks is a unique look at the political economy of homeland identification and the transnational construction and legitimization of ideas such as authenticity, ancestry, blackness, and tradition.
Orisa: Yoruba Gods and Spiritual Identity in Africa and the Diaspora
Murphy (1981, 1988), and Brandon (1983) did encyclopedic studies of Santeria in the United States. Friedman (1982) wrote a dissertation on Bata Drummers and their performances in Bembes. 11 Musicians drum and chant in Lucumi.
This aspect of life , this component of creation , is controlled by Cousin Zaka , the loa of agriculture , associated with Saint John the Baptist . " Cousin Zaka's identification with the country and the peasant class is represented by ...
Oyotunji Village: The Yoruba Movement in America
Maureen Warner-Lewis, Guinea's Other Suns (Dover, MA: The Majority Press, 1991), 1. 8. Guinea's Other Suns, 51. 9. Robert Farris Thompson, Flash of the Spirit (New York: Vintage Books, 1984), xv. Notes.
View of original African spiritual practices that endure in the contemporary African American church. Discussion of the extent to which African American religion draws upon African religion in its diverse...