On the occasion of Tennessee's Bicentennial, four distinguished authors offer new insights and a broader appreciation of the classical influences that have shaped the architectural, cultural, and educational history of its capital city. Nashville has been many things: frontier town, Civil War battleground, New South mecca, and Music City, U.S.A. It is headquarters for several religious denominations, and also the home of some of the largest insurance, healthcare, and publishing concerns in the country. Located culturally as well as geographically between North and South, East and West, Nashville is centered in a web of often-competing contradictions. One binding image of civic identity, however, has been consistent through all of Nashville's history: the classical Greek and Roman ideals of education, art, and community participation that early on led to the city's sobriquet, "Athens of the West," and eventually, with the settling of the territory beyond the Mississippi River, the "Athens of the South." Illustrated with nearly a hundred archival and contemporary photographs, Classical Nashville shows how Nashville earned that appellation through its adoption of classical metaphors in several areas: its educational and literary history, from the first academies through the establishment of the Fugitive movement at Vanderbilt; the classicism of the city's public architecture, including its Capitol and legislative buildings; the evolution of neoclassicism in homes and private buildings; and the history and current state of the Parthenon, the ultimate symbol of classical Nashville, replete with the awe-inspiring 42-foot statue of Athena by sculptor Alan LeQuire. Perhaps Nashville author John Egerton best captures the essence of this modern city with its solid roots in the past. He places Nashville "somewhere between the 'Athens of the West' and 'Music City, U.S.A.,' between the grime of a railroad town and the glitz of Opryland, between Robert Penn Warren and Robert Altman." Nashville's classical identifications have always been forward-looking, rather than antiquarian: ambitious, democratic, entrepreneurial, and culturally substantive. Classical Nashville celebrates the continuation of classical ideals in present-day Nashville, ideals that serve not as monuments to a lost past, but as sources of energy, creativity, and imagination for the future of a city.
Nashville is a musical gold mine and this book follows the development of music and the music industry in Nashville from the nineteenth century until today.
Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness.
... Nashville Public Library downtown acknowl- edges the classical tradition of our city's public architecture , such as the State Capitol and the Parthenon . And , the new Schermerhorn Symphony Hall under construction in down- town Nashville ...
Nashville Music before Country is the story of how music merged with education, publication, entertainment, and distribution to set the stage for a unique musical metropolis.
... classical legacy at the Tennessee Centennial. One magazine called the ensemble of buildings “imposing,” and claimed ... Nashville with Athens was firmly in the minds of those who sought to translate educational aspiration into stone.”61 ...
... on Bellerophon's letters, 167; and command of languages ancient and modern, 101–5; Ronnick's work on, 94, 388n20, 388n21; memoirs of, 106–7; as teacher, 106–7 Scharffenberger, Elizabeth, 314, 412n6 Schiavone, Aldo, 380n19 Schiller, ...
Tennessee Valley Authority , Scenic Resources of the Tennessee Valley , 5 . ... Michael J. McDonald and John Muldowny , TVA and the Dispossessed : The Resettlement of Population in the Norris Dam Area ( Knoxville : Univ . of Tennessee ...
Goff, Close Harmony, 44–51; Stephen Shearon, “Kieffer, Aldine,” in Encyclopedia of American Gospel Music, ed. W. K. McNeil (New York: Routledge, 2005), 215–217. Goff, Close Harmony, 53–54. Goff, Close Harmony, 62–123.
... Sammy Kaye, Dean Martin, and others. Rochinski's entry in the Internet Movie Database remarks that he was recovering from spinal injuries, and it is entirely possible that he was able to walk into his hotel in New York.
The pages are packed with helpful Insiders' tips, too (look for the ). If you have a previous edition of the Insiders' Guide to Nashville, you'll definitely want to add this one to your collection. Nashville is ever-changing and growing ...