This book is about the value that an audience places on a commercial cultural product like country music. It explores why the concept of authenticity in country music is so crucial to so many of its fans. It does this by examining the dramatic changes that occurred in country music in the 1950s and 1960s, when one popular style - honky-tonk - was effectively supplanted by another - the smoother, more broadly accessible "Nashville Sound" associated with producers Owen Bradley, Chet Atkins, and others. Author Joli Jensen shows how this change was an inventive compromise, a way to maintain the most important aspects of the music's roots while broadening its appeal. She documents this musical and cultural transition in a chapter focusing on the remarkable recording career of Nashville Sound artist Patsy Cline, the artist who most fully embodies these tensions. Jensen explores a variety of far-reaching questions: What does it mean when we label a commercial music "authentic" or "traditional"? Why should an audience value one style of music over another? And, ultimately, what does this expression of taste - the choosing of a commercial musical style - tell us about ourselves, not only as consumers but also as human beings trying to find meaning in a transient world?
William Grant Still and the Fusion of Cultures in American Music
Carefully structured to link information directly to the CIM syllabus, this coursebook text offers a range of cases, questions, activities, definitions and study tips to support and test your understanding...
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
45905-1-2-3 Floating Down The old Green River ( Kalmar ) 31 Jul 15 A - 1825 BERT WILLIAMS : Vocal , with orchestra . ... 45912-1-2-3 Spring Morning Serenade ( Aubade Printanière ) ( P. Lacombe ) 4 Aug 15 A - 1805 PALIE K.LUA - DAVID K.
... as leader of Beethoven's ' Quintett , ' his colleagues being F. Cramer , Moralt , H. Gattie , and Lindley ; at the sixth concert ( May 31 , 1813 ) , he played second violin in a Quartet by Mozart . 128 According to F.G. Edwards ...
11 James W. Palmer's Shape - note hymnal was for sale in Lexington in 1826 : NEW MUSICK BOOK Just published , and for sale at J. W. Palmer's and W. W. Worsley's Book - Stores , “ THE WESTERN HARMONIC COMPANION ; Containing most of the ...
The Minstrelsy of England
In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating ...
'This book is about much more than the birth of opera: it is about why opera has the ingredients it does--its arias, laments, happy endings, and its struggles between men, and women, and gods.
据贝多芬的学生,贝多芬传记的作者辛德勒的记述,他曾向贝多芬请教关于第五交响曲第一乐章主导动机的寓意,贝多芬回答说:“这是命运的叩门,命运就是这样敲门的。”后来人们就称第五交响曲为“命运交响曲”。