This book examines recent trends in the performing arts and discusses howthe arts are likely to evolve in the future. It is the first book to providea comprehensive overview of the performing arts, including analysis ofopera, theater, dance, and music, in both their live and recorded forms. Theauthors focus on trends affecting four aspects of the performing arts--audiences, performers, arts organizations, and financing--and offer a visionfor the future. The book discusses the implications of current and likelyfuture developments and considers public policy issues such as publicfunding for the arts.
Providing information about developments in the visual arts world, this book promotes analysis of the sector, describing the characteristics of visual arts consumers (collectors and appreciators), artists, finances, and organizations.
This book explores the concept of audience engagement from a number of complementary perspectives, including cultural value, arts marketing, co-creation and digital engagement.
... The Performing Arts in a New Era.11 Larger companies are more likely to invest in bigbudget blockbusters with superstar performers, elaborate sets, and special effects. Midsize companies may feature “warhorses”—wellknown works with ...
Women are at the center of American theatre and have the potential to shape the cultural imagination of theatre-goers as a complex new era unfolds.
Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their ...
68 When philanthropist Lila Acheson Wallace donated a million dollars to Asia Society in 1971, her goal was to enable “a wide-ranging representation of the rich, ancient traditions of Asia's performing arts.”69 As already mentioned, ...
The articles in Volume 2 are organized as follows: the performing arts; general surveys of anglophone Caribbean drama, theatre, and society; festivals, theatre companies, and productions; British and American drama; dance and music theatre; ...
Santa Monica, CA: RAND, 2001. McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press, 1991. McDonough, John. “Doin' 'Em Proud: How the Mingus and Basie Big Bands Thrive on More than ...
Paula Vogel, playwright, received the Pulitzer Prize for her play How I Learned to Drive, as well as the Lortel, Drama Desk, ... The Mammary Plays and The Baltimore Waltz and Other Plays, as well as The Long Christmas Ride Home.
... Performing Europe : Identity Formation for a New Europe . Theatre Journal 53 ( 3 ) : 365–387 . Rich , Frank . 1990. New Era for ' Grapes of Wrath ' . New York Times , March 23 . https://www.nytimes.com/1990/03/23/theater/review-theater-new- ...