Written for the most part during an intense, three-year surge of poetic energy, the Ariel poems of T. S. Eliot represent a transition from The Waste Land cycle of poems to the threshold of Eliot's dramatic writings and the Four Quartets. T.S. Eliot's Ariel Poems: The Poetics of Recovery, the first book-length study to focus solely upon these poems, examines the thematic and stylistic developments in Eliot's art during the late 1920s.
As a group, the Ariel poems develop Eliot's search for new forms for new themes. Despite his early advocacy of impersonality, the Ariel poems do not so much represent a rejection of earlier artistic beliefs as a refinement and adaptation of them, particularly as he sought a means of poetic expression for his developing religious sensibility. In particular, this study examines a transformation from imagism to patterned symbolism, from a disembodied and fragmentary poetic voice to a unified and increasingly personal poetic voice, and from random allusion to the appropriation of a new set of literary influences.
While the literary influence of Dante upon Eliot's work has generally been well-established, the Ariel poems appropriate that influence in particular ways. Other major figures important to Eliot during this transitional period include Lancelot Andrewes, Saint Augustine, and Saint John of the Cross.
To demonstrate the transitions in Eliot's work, this study closely examines Eliot's poetic production for the years 1927-31. Primary attention is given to the traditionally-received Ariel poems of this period - "Journey of the Magi," "A Song for Simeon," "Animula," "Marina," "Triumphal March" and the Coriolan fragment - but also to Ash Wednesday, which may be seen thematically and stylistically as part of the Ariel series, and to the later (1954) "Cultivation of Christmas Trees."
Volume 1 of the Writings and Speeches of Edmund Burke presents Burke's early literary writings up to 1765, and before he became a key political figure.
The Works of Aphra Behn: The fair jilt and other short stories
The Ruined Cottage: The Brothers Michael
The greatest quotes from Dickens...an essential reference book providing every notable and quotable passage or short comment by Dickens on a subject which interested the great author...encompassing all his work.
This volume contains more than 350 letters, the great majority of them previously unpublished, which are supplemented, as before, by scrupulous annotation and extensive cross-referencing; by a chronology covering the whole of Hardy's career ...
Ed. J. M. Robson. Intro. Alexander Brady. Toronto and Buffalo: U of Toronto P; London: Routledge and Kegan Paul, 1977. 213-310. . The Subjection of Women 1869. Essays on Equality, Law, and Education. Vol. 21 of Collected Works of John ...
Richard M. Dunn , Geoffrey Scott and the Berenson Circle : Literary and Aesthetic Life in the Early 20th Century 35. Gary Gautier , Landed Patriarchy in Fielding's Novels : Fictional Landscapes , Fictional Genders 36.
He was at one point tempted to join Rudolf Steiner's anthroposophical movement, as Biely had done. When he met Steiner in March 1911, he explained what in the school attracted him, asking Steiner whether one could be a writer and a ...
... Thomas 186 , 327 Davies , John 101 Davis , Lennard 315 De Quincey , Thomas 139 de Saussure , Cesar 312 de Muralt , Béat Loyis 308 Deal , gentlewoman of 288–9 , 332–3 death attitudes to 1-2 debtors suicides by 131 , 273-4 Deathy ...
that none of our students were black, few were women, or that the values we "disinterestedly" discovered in Jane Austen or E. M. Forster were at least partly determined by racial, social, and sexual presuppositions.