Hollywood and science have found each other, and seem to have formed the strongest bond to date. The increasing use of science consultants in science fiction and science-themed productions, from comedies like The Big Bang Theory to dramas like Breaking Bad, as well as the creation of the Science and Entertainment Exchange by the National Academy of Sciences, suggests a new level of Interaction between science and entertainment media that will surely benefit both sides. What finally catalyzed this reaction? This eclectic collection of essays examines the connections between Hollywood and science, with a primary focus on the current state of the relationship. It features contributions from screenwriters, producers, directors, scientists, science advisors, science writers, even a music composer and a dramaturge. The formats of the chapters contained herein are equally eclectic: some take the form of academic journal articles, some are written as less formal interviews, and some are narratives. The tones of the offerings range from the purely serious to the comedic. The first half of the book focuses on the various approaches that different television series and moves employ to incorporate accurate science into their productions. In other instances, authors explore the more fundamental aspects of science-like sound, music, and light-that enable audiences to appreciate television and film. The second half of the volume explores the effects that television and film have on the viewing public. Some authors explain the science, both explicit and implied, that can be found within various Hollywood productions, and explore instances where Hollywood and science failed to click, instead of meshing. Other authors examine the influence that Hollywood science has on the science community, public policy, and the legal system. Still others describe pedagogical applications of television and movie science to education-as well as Hollywood's role in motivating future generations of scientists and engineers.
THE ARCHETYPE MOVIE: ONE MAN (1977) Production company: National Film Board of Canada Director: Robin Spry Screenwriters: Peter Pearson and Robin Spry Short summary: TV news reporter Jason Brady investigates Konrads Ltd., ...
... screen couple that, except for the presence of stars, is indistinguishable ... screen pair has become a cliche to such an extent that it is virtually devoid of pair ... Wide Shut (1999), and in that case their lack of screen chemistry was ...
Winner of the PEN/Hemingway Award A Washington Post Notable Book One of the Best Books of the Year: NPR, Entertainment Weekly, Ann Patchett on PBS NewsHour, Minnesota Public Radio, PopSugar, Maris Kreizman, The Morning News Winner of ...
... Hollywood Chemistry 111-121. Nieswandt, M. 2007. Student affect and conceptual understanding in learning chemistry. Journal of Research in Science Teaching 44(7):908-937. NISE Net (Nanoscale Informal Science Education Network). 2014 ...
This book is the second collection of over 50 articles and essays authored by Sidney Perkowitz.
Sight, of course, is critical to our lives, yet visible light is a small pond in the sea of invisible infrared ... through satellite instruments and high-altitude telescopes, to gather information about matter too cold and dark to shine ...
In Lab Coats in Hollywood, David Kirby examines the interaction of science and cinema: how science consultants make movie science plausible, how filmmakers negotiate scientific accuracy within production constraints, and how movies affect ...
Free-Radical Chemistry: Structure and Mechanism
This book, intended for the undergraduate students, may also be used for a first chemistry course.
From advice columnist Meredith Goldstein, a dazzling, romantic, and emotionally resonant YA debut about a teen science whiz in Cambridge, Massachusetts, who tries to crack the chemical equation for lasting love and instead wreaks havoc on ...