Mammies No More explores the ways in which mainstream American plays and films have reflected and helped to reinforce stereotypes of black women. It also shows how African American women playwrights and filmakers have subverted those stereotypes by creating more realistic characters. From Minstrel shows of the mid-nineteenth century to D.W. Griffith's Birth of a Nation, from the movie version ofGone with the Wind to Spike Lee'sShe's Gotta Have It and comtemporary music videos, Anderson shows how portrayals of black women as ignorant mammies, sexually voracious jezebels or coquettish, tragically flawed mulattas have persisted over time. Meanwhile, works by black women, such as Lorriane Hansbery's A Raisin In the Sun and Julies Dashe's Daughters of the Dust, have resisted these stereotypes, showing black women in more positve and realistic ways.
Michael Harris's excellent book Colored Pictures (2003) supplies a comprehensive look at both Aunt Jemima and the mammy as the stereotypes used more than any other during the Black Arts movement of the 1960s and 1970s.13 For curator and ...
McElya's stories expose the power and reach of this myth, not only in advertising, films, and literature about the South, but also in national monument proposals, child custody cases, New Negro activism, anti-lynching campaigns, and the ...
Identical to the new student-edition paperback (fall 2001), this one includes the entire 20th century through black images in film, from the silent era to the unequaled rise of the new African American cinema and stars of today.
Dr. Crookman went into his office to don his white trousers, shoes and smock; Johnson and Foster entered the business office to supervise the clerical staff, while white-coated figures darted back and forth through the corridors.
... Gayle Fischer , Karen Rader , Cindy Hahamovitch , Scott Nelson , Elizabeth Oldham , Sharon Holland , Chana Kai Lee ... I have also benefited from the wisdom and encouragement of Jacquelyn Dowd Hall , Trudier Harris , James Horton ...
There were no bath facilities. Only a toilet bowl, inaccessible to the eye, if not the ear, of the tenants. There is nothing more to say about the furnishings. They were anything but describable, having been conceived, manufactured, ...
Her pursed lips and steady gaze make her countenance far more composed than Aunt Jemima's. In fact, the portrait looks as though a real model might have posed for the artist. Interestingly, this dignified representation of Aunt Dinah is ...
Karen Laughlin and Catherine Schuler. Madison and Teaneck, N.J.: Farleigh Dickinson University Press, 1995. Parks, Suzan-Lori. The Death of the Last Black Man in the Whole Entire World. In The America Play and Other Plays.
"Exploring white American popular culture of the past century and a half, Turner details subtle and not-so-subtle negative tropes and images of black people, from Uncle Tom and Aunt Jemima to jokes about Michael Jackson and Jesse Jackson.
This is a brave work of literary empathy by a writer at the height of his powers, who demonstrates a magisterial understanding of the period, its clashing cultures, and its heartbreaking crises. ” —Geraldine Brooks, author of March The ...