Retail is a breakthrough exploration of the relationship between consumer culture and architecture, showcasing the creative collaborations between global brands and their architects. Over the past decade, retail architecture has taken center stage in contemporary design discourse, and Retail is a unique tour of the venues for the universal pastime of the twenty-first century: shopping. Among the world-class architects and globally recognized brands featured here are: Rem Koolhaas and OMA (Prada, New York, Beverly Hills, and San Francisco); Frank Gehry (Miyake Tribeca, New York); Herzog & De Meuron (Prada, Tokyo); Tadao Ando (Armani Teatro, Milan); Renzo Piano (Hermes Ginza, Tokyo); Future Systems (Selfridges, Birmingham); Richard Gluckman (Helmut Lang, Paris, Milan, and New York); and John Pawson (Calvin Klein, Paris).
This thesis argues that the contemporary artist's objective is the production of new social space and the institution of new cultural knowledge.
Stam , Inquiries into the Origin of Language , p . 128. Elsewhere , p . 118 , Stam refers to the Abhandlung as Herder's “ irreverent and ironical treatise . ” 45. I have profitably consulted the translation in On the 104 Herder's ...
Catalogue de l'exposition s'interrogeant sur la notion de "beau" au XXe siècle, insistant sur la polémique et la politisation du débat dans les années 80 et 90.
Cities Built to Music: Aesthetic Theories of the Victorian Gothic Revival
System and Dialectics of Art: Annotated from Unpublished Writings
Moseley, Catherine. Conception: Conceptual Documents, 1968-1972. Norwich Gallery, Norwich, 2001. Naess, Arnold. Ecology, Community, and Lifestyle: Outline of an Ecosophy. Trans. David Rothenberg. Cambridge University Press, 1990.
And outside the walls , driving , one sees the city as an object on the land . Furthermore one observes with different eyes and feet and wheels its historic fabric .... for now vehicles must leave the city by a gate ...
Essays on Aesthetics and Language in Simone Weil Eric O. Springsted, John M. Dunaway ... is rather rude and ridiculous, but once again, I'm not a Simone Weil scholar, and the only thing I can talk about is what she has meant to me.
Le pli a toujours existé dans les arts, mais le propre du Baroque est de porter le pli à l'infini.
El autor analiza exhaustivamente los textos de aquellos autores considerados como antecedentes inmediatos del arte y la literatura barrocos, haciendo especial hincapié en los clásicos de la belleza y el ingenio, de la nueva concepción de ...