What artists and their work did for the United States during the Depression, thanks to New Deal initiatives, is the subject of this masterfully produced book. When Art Worked focuses on the consequences of the art and architecture created and its efficacy in enhancing the nation’s sense of itself during this debilitating time. With an astoundingly high unemployment rate in the country—at 25 percent—New Deal policies provided food, work, and, with the aid of art, hope grounded in common purposes. Art became a vital tool in rallying pride, illuminating common necessities, arousing an awareness of the suffering of people, and drawing attention to the need for natural resource conservation. This had an indelible impact on public policy. New construction and renovations of post offices, schools, and government buildings reinspirited communities. When Art Worked also focuses on the objectives of the leaders who shaped the New Deal programs, and features some of the era’s most remarkable achievements. The text is accompanied by approximately 450 rarely seen or published color and black-and-white illustrations and newly commissioned photographs of some of the incredible works produced.
Dazzlingly illustrated whit over 300 works, including paintings, drawings and photographs, this beautiful book serves to introduce newcomers to Lam, as well as deepen the understanding of those already familiar with his work"--Back cover.
Formerly of Cooper - Hewitt : Todd Olson At The Metropolitan Museum of Art : Christine Brennan , Roger Haapala , Jessie McNab , Jeffrey Munger , Clare Vincent , Beth Carver Wees , Deanna Cross and the Image Library staff .
DESMOND FITZGERALD Born 1846 , Nassau , Bahamas ; died 1926 , Brookline , Mass . home and prompting them to acquire more art . They bought Hunt's Gloucester Harbor ( cat . 24 ) as well as paintings by J. Foxcroft Cole and several French ...
33 André was long presumed to have worked with his father , Alphonse Giroux , a well - known art dealer . In fact , André and his brother , Alphonse - Gustave , bought the firm from their parents in 1838 , making them the sole owners .
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Introduction by Nancy M. Doll. Text by Xandra Eden, Gary Indiana.
( 11.7 X 15.7 cm ) Atelier stamp in red on verso , upper right : “ Atelier Ed . Degas " Inscribed lower right : “ Schneider , Berlin " Gerstenberg collector's stamp on verso , lower center M.1979.1 PROVENANCE : Edgar Degas ( sale ...
UKIYO-E PAINTINGS PB
The Lane Collection: 20th-century paintings in the American tradition ; Museum of Fine Arts, Boston, April 13, 1983 - Aug....
Robert Whitman: Playback