Eskimo carving is now recognised as one of the great artistic traditions of the world. The unique quality of the sculptures and decorative work in walrus ivory, stone and bone, which remains remarkably consistent through some two hundred centuries and across the great Arctic wastes, reflects the character and strength of the Eskimo hunting bands who inhabit one of the most inhospitable environments in the world. This book aims to relate the life style of the hunters, their vivid mythology, and the crucial role of the shaman in whom the human and spirit worlds meet, to their carving. About the author Susan Pearce read History at Somerville College, Oxford. She became Curator of Antiquities at Exeter City Museum which possesses important collections of Eskimo material. In 1975 She was awarded a Churchill Travelling Fellowship which enabled her to spend the summer in the Central Arctic carrying out research on the Exeter material which resulted in the exhibition Towards the Pole: the Eskimo and its accompanying publication. Professor Pearce is now Dean of the Faculty of Arts at Leicester University.
Paci , Christopher . “ Commercialization of Inuit Art : 1954–1964 . ” Etudes / Inuit Studies 20.1 ( 1996 ) : 45-62 . Palmer , Jay W. “ The Dorset : An Enigma . ” North American Archaeologist 19.3 ( 1998 ) : 201–22 . Panofsky , Erwin .
... The Grange - ( 1906-1919 ) , expositions # 3175 – architecture , Darling & Pearson # 9070 - expositions - Ontario Society ... Banque canadienne de commerce - architecture Darling & Pearson , architectes ; York & Sawyer , architectes ...
Toronto : Dorset Fine Arts . Westra , M. ( 1986 , Fall ) . Reviews : Exhibitions : From drawing to print . Inuit Art Quarterly , pp . 9-10 . Wight , D. ( 1982 , Fall ) . Identifying Inuit carvings . North , pp . 32–35 . ( 1987 ) .
Eskimo Carving Soapstone , Ivory , Bone - and Sometimes Wood Legend has it that whittling was a winter occupation in ... If this is true , it helps to explain why the Eskimo has been so prodigious a producer of objects carved in walrus ...
Designed to create interest in Eskimo crafts and develop manipulative skills as an introduction to free carving. For ages 8 and up.
For reviews of the exhibition see Westra (¡986) and Blakeman (¡986e). For a list of publications related to Parr see Armour (¡98¡). For a list of publications related to Pitseolak Ashoona see Berlo (¡995d). For a list of publications ...
Catalogue of an exhibition entitled "Setting it free", which traces the historical development of Alaskan Eskimo ivory carving from the 1850's to the present.
Another is that among the Eskimos, as among so many other cultures, hollow enclosed shapes have female associations ... Beyond the indirect influence of whalers' scrimshaw on Eskimo carving as a whole (Ray 1967), the baleen basket and ...
Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in ...
Ironically , Franz Boas , in his guidance of the collecting associated with the Jesup Expedition and the filling of the halls of the American Museum of Natural History , condemned George T. Emmons 10 as a trader and “ simply not ...