Ukiyo-e - 'pictures of the floating world' - produced by Japanese artists, publishers and craftsmen of the Edo period (1603-1868) constitute one of the most remarkable and spectacular achievements in the history of graphic art. This book traces the historical, stylistic and technical development of these prints, from the hand-coloured work of the seventeenth century, to the spectacular colour printing of the mid-nineteenth century. A postlude gives a glimpse of printmaking in the succeeding Meiji period. An introductory essay explores the historical context of the 'floating-world' culture which is depicted in many of the prints and expressed in their style and treatment of subject-matter: the glamorous image of the courtesans, the stars of the kabuki stage, and the evocative imagery of Japanese poetry. A second essay provides insight into the technical refinement of Japanese woodblock printmaking. The main body of the book consists of full-colour reproductions of over seventy prints, highlighting the most significant artists and styles and the most typical subjects and moods.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
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Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
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David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
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